Fire, Earth, and Sky – Oh My! Looking at Burial Traditions in Divinity: Original Sin II

One of the first video games that I got hooked on during the start of the pandemic (that wasn‘t Animal Crossing) was Divinity: Original Sin II. At the time, it had been years since I played a fantasy role-playing game from a series I wasn’t already familiar with, so honestly? I had a great time becoming enraptured by the new lore of Divinity II...which, of course, means I spent my entire first play-through (all 60+ hours of it!) overanalysing everything and looking at every single aspect from the perspective of an archaeologist with anthropological training. Yes, I am an insufferable gamer who cannot play anything normally, it is a true tragedy.

Unsurprisingly, the thing that drew my attention instantly was a cemetery area called “Stonegarden”, which was inclusive of nearly all the races in the world of Divinity II (except for the Undead, for…uh, obvious reasons, I guess?). As such, there was a variety of burial practices in place, which is particularly fascinating to me, as someone whose last four years were devoted to funerary archaeology and differing burial rites. So, let’s examine the different practices on display, and how they may (or may not) connect to real-life funerary rites in the past and present!

By Fire

A funeral pyre that is forever in flames as part of the Lizard burial traditions in Stonegarden Cemetery

In the world of Divinity: Original Sin II, Lizards are customarily cremated in a funeral pyre that is constantly burning. Based on the interactions the Player Character can have with the spirit of a deceased Lizard, it is an utmost shame to not be given these rites after death, thereby emphasising how important this particular act is for the Lizard culture.

Although I have yet to find an example of a never-ending funeral pyre, the basic concept of burning remains can be found in cultures throughout the world, and is still commonly practiced today. Archaeologically speaking, cremated bone is often identified by the presence of burnt bone – but not just burnt bone alone! Without context, burnt bone (human or animal) can be the result of numerous situations: cooking, accidental burning, cremation, etc. As such, it is important to find further context to indicate cremation: urns, grave goods, even the pyre site itself. It should be noted that humans are not the only ones to be cremated – animals have been found as cremated remains in the archaeological record as well! For example, Anglo-Saxon cremations have revealed mixed assemblages of human and animal remains, usually a horse or dog. With this in mind, it is likely that these animals were companions for the deceased – unfortunately, it is also notoriously difficult to differentiate between human/animal cremated bone, so we may not fully understand how prevalent (or not prevalent) this practice is (Whyte 2001, Bond and Worley 2006).

By Earth

A coffin with a Human skeleton that is waiting to be buried in Stonegarden Cemetery

A more ubiquitous and familiar burial tradition is practiced by the Humans of Divinity II (ugh, why are we always so boring!), who tend to practice inhumations, or burying remains underground. Inhumations, alongside cremations, are probably among the most common forms of funerary practice in the world, as well as the one most associated with the idea of funerary traditions. That said, it is interesting to consider how diverse inhumations can be in practice, with varieties in number of bodies, grave goods, social status (or lack thereof), overall treatment of the body, etc. To be honest, this topic is probably worth exploring in another blog post!

An ancestor tree, grown from the corpse of an Elf, located in Stonegarden Cemetery

In contrast, the Elves of Divinity II are not just buried in the ground – they become trees. Given the longer lifespan of Elves, death is rare and thus cause for massive ritual and rites. As cannibalism is already commonly practiced in Elven culture (which is actually a gameplay mechanic, as they are able to gain knowledge through memories of the dead they consume), it is common funerary practice for Elves to consume the heart of the deceased. The rest of the remains are then submerged into a pit filled with blood, eventually replaced in time with an ancestor tree, which has been directly grown from the dead.

Although there is no evidence for human-to-tree transformation beyond myths and folklore, we can see a similar focus on the tree as a symbol in funerary practices of the past. For example, it has been noted that tree-like features have appeared in ritual and funerary contexts during the Early Bronze Age in northern Europe, including the physical use of oak coffins in barrow burials (Fahlander 2018).

Similar traditions have continued into the modern age, particularly with the wave of ecological consciousness that would begin to include cemeteries and burial practices in the 1990’s, with environmentally-friendly inhumations becoming popular in countries such as the United Kingdom and Japan (Boret 2014). More recently, businesses have attempted to legally market more ecological solutions for burial in an even more environmentally-conscious world; one example is the Capsula Mundi, which consists of a biodegradable capsule that holds the deceased and eventually degrades to allow the remains to provide nutrients to a tree sapling planted above (Erizanu 2018).

By Sky

At the top of a tower in Stonegarden Cemetery lies Dwarven corpses, which are consumed by condors

Finally, the Player Character can find a lone tower in Stonegarden. Heading up the stairs, the Player Character will find the skeletal corpses of Dwarves laid below circling condors (a type of vulture) in the sky, with one perched nearby, eating one of the corpses. Most people will instantly connect this with the concept of “Sky Burials”, a practice that is most associated with Tibet, but is also practiced as part of Zoroastrianism in India (Kushwaha 2016). It has been theorised that this practice (or some variation of it) may have also been practiced in parts of Prehistoric Britain, specifically as a mode of excarnation, which broadly describes most practices of defleshing and disarticulation of the body (Carr and Knüsel 1997, Best and Mulville 2017).

I think, among many other misconceptions that folks have about archaeology, that the concept of funerary traditions is quite stifled and otherwise limited to inhumations and cremations. In reality, there is actually a beautifully diverse spectrum of traditions – and its not just limited to the ones discussed here. And I think that is one of the best things about archaeology – it can be such an expansive moment for your mind, seeing the ways in which human engagement with abstract concepts such as death have changed over time.

Also, I don’t know if anyone is actually going to read until the end of this post but I need to confess that I still haven’t finished Divinity II because I think I built my character wrong and the last boss battle is really hard…

References

Best, J. and Mulville, J. (2017) Birds in Death: Avian Archaeology and the Mortuary Record in the Scottish Islands. The Bioarchaeology of Ritual and Religion. pp. 179-192. Oxbow Books.

Bond, J.M. ad Worley, F.L. (2006) Companions in Death: the Roles of Animals in Anglo-Saxon and Viking Cremation Rituals in Britain. Social Archaeology of Funerary Remains. pp. 89-98.

Boret, S.P. (2014) Japanese Tree Burial: Ecology, Kinship, and the Culture of Death. Routledge.

Carr, G. and Knüsel, C. (1997) The Ritual Framework of Excarnation by Exposure as the Mortuary Practice of the Early and Middle Iron Ages of Central Southern Britain. Reconstructing Iron Age Societies: New Approaches to the British Iron Age. pp. 167 – 173. Oxbow Books.

Erizanu, P. (2018) The Biodegradable Burial Pod that Turns Your Body into a Tree. CNN: EcoSolutions. Retrieved from: https://edition.cnn.com/2017/05/03/world/eco-solutions-capsula-mundi/index.html

Fahlander, F. (2018) The Relational Life of Trees: Ontological Aspects of “Tree-Ness” in the Early Bronze Age of Northern Europe. Open Archaeology 4(1). pp. 373 – 385.

Kushwaha, S. (2016) Vultures in the Cultures of the World. Asian Journal of Agricultural and Life Sciences 1(2). pp. 34-40.

Larian Studios (2017). Divinity: Original Sin II. Bandai Namco Entertainment.

Whyte, T.R. (2001) Distinguishing Remains of Human Cremations from Burned Animal Bones. Journal of Field Archaeology 28(3-4). pp. 437 – 448.