Repairing Relations through Research: An Archival Approach to Institutional Accountability

Note: This blog post is adapted from an abandoned journal paper that I originally wrote in 2021.

Can you guess which museum’s archival collections might be depicted here?

Introduction

From the perspective of many people from marginalised backgrounds and historically looted communities, the museum continues to be a symbol of colonialism. Despite renewed calls for decolonisation, repatriation, and restitution, museums are arguably still behind in progressing towards repairing relations with people from these particular communities. As many museums continue to focus on purely representational politics through diversity and equity initiatives (e.g., Rodney, 2020; Williams, 2020; Smith, 2021), it is difficult to image these institutions moving beyond shallow change and committing to something more tangible for those in affected communities.

To resolve this issue, it may be useful to look outwards, and towards the theory and practice developed by social justice scholars and activists (see Genovese, 2016, p. 32); more specifically, we should look at the concept of accountability, and the ways in which those working within museum and heritage spaces can both make amends for harm committed, as well as counteract future instances of harm. It is important to emphasise the need for using external forms of accountability as well, as museums and other institutions will already have internal accountability structures in place for administrative purposes. For this paper, the concept of an accountability framework will be grounded in specific social justice theory and practice and will draw from activists and organisers who are utilising these approaches in their own communities. This framework will utilise archive research as part of a broader auditing of institutional collections and materials that includes the direct input from affected individuals and communities.

This proposed method for accountability can be seen in two ways: as an accountability-based approach to archival research, as well as an archival research-based approach to accountability. To be accountable for one’s own archives would mean that a museum would have a duty towards active consideration of all materials in its passion; this would include developing research into identification of all aspects of cultural objects, documents, and remains, allowing for potential reconnection with the original communities from which these materials once belonged to, with the possibility of eventual repatriation if necessary. In addition, by using a research-focused approach to deliver actions of accountability, museums and institutions can continue to uphold their status as centres of knowledge-making as well as improve their own ethical approach, while also repairing the relations between themselves and those who have been harmed in the past. Prior to further discussion of this proposed form of accountability, it may be useful to examine each component of this framework individually.

Moving Towards the Archives

Interest in archival research seems to have been renewed over the past decade, especially within and among marginalised individuals and communities (e.g., Morris & Rawson, 2013; Bishop, 2017; Araluen Corr, 2018; Henry, 2018). This is not to say that archival research has ever truly “gone away” – archival science has been a field in its own right since the 1950’s (Rumschöttel, 2001, p. 149) and continues to remain an important methodological tool in research, especially with the advent of digital approaches to collecting and analysing archival material (Duranti, 2001; S. Ross, 2012). It should be noted that for the purposes of this paper, the word “archives” will be used to refer to both archival documentation as well as collections held in storage within these institutions.

Archival research has always been rife with internal discourse regarding ethical considerations, a topic which has only become more complex as more marginalised voices are prioritised and heard within the conversation. However, it could be argued that this discourse, particularly the more critical aspects, has also revealed the existing radical potential of the archives. Researchers, many of whom could be considered what Genovese (2016, p. 38) calls “activist archivists”, are now turning their focus onto the problematic histories behind the creation and development of the archives themselves (e.g., Luker, 2017; Karabinos, 2019; Salenius, 2021), and the ways in which these processes have enacted their own forms of marginalisation, restriction, and objectification (McKee & Porter, 2012, p. 60), harms that arguably are continued within the legacies of many museums and institutions.

Alongside this critical turn, researchers have also centred those who are not presented within archives (e.g., Gilliand, 2014; Ghaddar, 2016). These inquiries also examine the ways in which the archive is constructed, with an emphasis on who is not consider “worthy” enough for remembrance (Jimerson, 2009). This also allows for consideration of how archives themselves are not apolitical or neutral, as they are able to define individuals and cultures through decisions regarding classification and curation (Tesar, 2015). Archival research has also found a place within broader calls for decolonisation that have only intensified within the past decade, particularly with regards to institutions that have gained wealth through the transatlantic slave trade (e.g., Weale, 2019; Mullen, 2021; Ross, 2021) In addition, archives have been crucial towards reconciliation for Indigenous peoples in the occupied territories of North America and Australia (Christen, 2011, p. 208). Archives provide researchers with the ability to see the “inner life of decolonisation” (Bailkin, 2015, p. 892), showcasing the complexities of a process that is often enacted through multiple avenues that are eventually flattened into singular events (ibid, p. 885).

Clearly there is a sense among researchers that the archives have a radical potential within them and can be utilised as a liberatory tool in the hands of the marginalised, resulting in the various projects mentioned within this section. By incorporating the archives into a broader framework such as accountability, we can hopefully maximise the potential usefulness of this tool as part of transformative change.

What is ‘Accountability’ for Museums?

Similar to the renewed interest in archival research, there has been an increase in the demands for further accountability from museums and institutions, particularly in light of the 2020 Black Lives Matter protests (e.g., Litt, 2020; Trouillot, 2020; Small, 2021). However, “accountability” is a word with numerous meanings and associations (Ely Yamin, 2013), so it is necessary for the purposes of this paper to define what it is, as well as what is is not.

Accountability models already exist for museums and institutions, of course, but these primarily exist for the sake of accounting for financial and non-financial outputs between the organisations and their stakeholders (Overman, 2021). The latter often includes institutions of power, such as government subsidiaries, and this aspect of inherent political nature gives further credence to the need for an accountability framework that pushes for change within the existing system of the museum, and what is possible through this system. Alongside this framework, external work can be continued with activists and organisers pushing to move museum stakeholders to become more politically inclined towards more transformative and substantial processes of change, such as restitution and repatriation.

However, despite working within the power dynamics of the museum, it would not be helpful to attempt to utilise an existing form of internal accountability, especially if it denies transparency to the individuals and communities who have been harmed. Instead, museums should turn towards the work that has been done among social justice scholars and activists on the idea of “active community accountability”; this concept has previously been proposed for use in the adjacent field of archaeology (Fitzpatrick in Carruthers et al., 2021, pp. 14–16), and emphasises the need for the transference of power, particularly decision-making powers, from academics and professionals to marginalised groups and historically-looted communities. Active community accountability combines two different processes: “community accountability”, which calls for the strengthening of relationships across groups by addressing the specific conditions that allow for harm to occur (The Audre Lorde Project, 2010), and “active accountability”, which calls for community connections to be maintained in a pro-active way in order to avoid future harm occurring  (Moore & Russell, 2011). In both processes, the focus remains on the community above all, and this should similarly be the case for an accountability framework for museums and heritage spaces. More importantly, both call into question the power dynamics at play, and how power and resources can instead be redistributed towards the community. This is particularly vital towards holding institutions accountable, as it disrupts the notion of museums as “apolitical” or “neutral” spaces, and instead correctly identifies them as active gatekeepers of memory and connection (Jimerson, 2003). These interventions also force these institutions to break out of the cycle of comfortable forgetfulness, and instead confront their complicity within colonial violence (Elkins, 2015, p. 854).

More than Auditing: Research and Reconnection

So how do we utilise archival research as part of a larger framework of accountability? Again, we must hold the concept of accountability in connection with a broader purpose towards the community and repairing relations between the institution and those who have been harmed. As previously discussed, an active community accountability framework within cultural and heritage spaces requires for a transference of power from the institution (including the researchers involved) to the affected individuals and communities; this includes the ability to make decisions, as well as the ability of refusal. This could also include renewed calls for repatriation and restitution, processes which have been intentionally left out of this framework as they are arguably the desired end point of  substantial accountability; however, the proposed method in this paper is more concerned with bridging the gap between a lack of community engagement and the action of decolonisation.

But who exactly is the community in question? This will vary, of course, based on the materials at hand. Some materials may still pertain to a living or recently living individual, which makes this process of identification simple. However, there is also the instance in which ownership, which is already a contentious topic within archival research (McKee & Porter, 2012, pp. 67–68), is less clear. This may require its own form of research and investigation, but ultimately the goal should be to find the contemporary communities which may share “continuities” with those from the (recent or otherwise) past (Royster in ibid, p. 74). Even if the archival materials in question are related to the long dead, an ethical approach to the archives should consider the ways in which adjacent groups could benefit from this research (Subotic´, 2021, p. 349).

By involving the community within the act of archival research, we move beyond simply “auditing” collections, but begin to “reframe” them. This may include more accurately contextualising materials in accordance with cultural values and traditions held by the community, as well making decisions as to what is allowed to be displayed (if at all). In giving them equal space to engage with archival material, we can begin to “braid knowledge” together (see Christen, 2011; Atalay, 2012), using institutional resources and tools (including methodology and theory) as a means of supporting the community’s appraisal of the material. Moving beyond auditing in this sense also means that we are avoiding the objectification of archival material that echoes Césaire’s (2001, p. 42) view of colonialization as “thingification”; again, this accountability framework asks us to see this material as embodied, and so demands the level of respect and courtesy one would give to an individual or community. Where auditing means to produce a quantifiable consideration of collections, this accountability framework instead moves to encourage engagement with the material in conjunction with the broader community, as well as foster reconnection and reconciliation.

Although this may seem no different than a form of community engagement, the contrast again lies in the power dynamics at play; whereas most contemporary forms of community engagement involve a hierarchy of power and control that places the institution above all (Morse, 2018, p. 171), this framework demands that this is flipped, allowing for the community to hold more power than what would customarily be given to them. This would allow for communities to make decisions on aspects of research that may not have been accessible to them, such as ethical considerations and curation practices, both of which are currently based on very Eurocentric cultural ideas (Christen, 2011, p. 189; McKee & Porter, 2012, p. 73; Genovese, 2016, pp. 32, 40). This framework should not be mistaken as an attempt at sideling professionals, or disrupting what some may consider to be “traditional” archival practice (O’Neal, 2014, p. 135). Archival skills are key to this approach, and professionals will be vital to its success; however, this collaboration must be reframed as a service towards the communities that are finally being centred in these conversations, in which professionals use their skills in accordance with the needs and desires of the community in question. Here, considerations can also be made regarding the need of diversifying the professional pool available, as it would be ideal to have archivists from the particular communities as part of the conversation and research.

It should be noted that each archive is unique, and it could be problematic to generalise a particular single approach to handling archives overall (L’Eplattenier, 2009, p. 68), just as it is problematic to assume that one particular approach is suitable for every group or community (Christen, 2011, p. 209). However, as McKee and Porter (2012, p. 60) suggest, all archival materials can and perhaps should be seen as the embodiment of people and communities, both living and dead. As such, the institution that holds the archives must still be held accountable to these people and communities and would likely necessitate some form of accountability framework similar to the one proposed in this paper, regardless of the unique particulars. Perhaps if there is one variable to consider in planning research, it may be that some archival materials are more sensitive in nature than others and will require a more thoughtful approach in engagement; more specifically, in who gets to engage with the material, and why. Again, this is an area in which the transference of decision-making powers to the affected communities will be vital, as cultural sensitivities and traditions will need to be acknowledged above all. In addition, there is always the risk of negative exposure from archival research that will affect the most vulnerable (MacNeil, 1992, p. 166); as such, the very act of archival research may need to be placed in question and discussed with the communities beforehand.

Ultimately, this framework necessitates a constant dialogue between the institution and the community, turning the archives into what Gilliand (2014, p. 1) calls a “negotiated space” which can also allow for collective identity work to flourish (Butler, 2009). Such dialogue is arguably vital for the building (and rebuilding) of any relationship, particularly one in which adversity and harm is involved (DeTurk, 2006); however, in the case of accountability, it is essential that this dialogue and engagement persists beyond the confines of any particular research project, as the final goal of this framework should be the avoidance of any future harm as well. Accountability will not erase harm, but in practicing it, institutions can become more pro-active in reducing its impact (Bonsu, 2018).

Conclusion

Archival research is not the one answer to achieving a more accountable form of museum practice; as previously mentioned, accountability comes in many forms, and there are many that could be utilised in order to minimise harm within this particular setting. In addition, the pathway towards accountability should be multi-faceted and multi-vocal, allowing for multiple voices to take precedence in conversation as well as multiple forms of action to occur concurrently. For example, the proposal discussed in this paper did not touch upon other adjacent avenues of inquiry, such as auditing collections on display. This paper, in that case, should perhaps be seen less as a tutorial towards accountability, and more of a provocation for museums and institutions to begin the urgent and necessary task of rethinking their goals and values, and the ways in which these notions can be reframed within a broader sense of community and communal benefits. In addition, this paper asks that museums view the concept of community as synonymous with more ethical practices, particularly in the case of greater transparency and open dialogue. However, institutions must also refrain from getting stuck at just conceptualising means of accountable, and instead take action towards accountability – as Shara (2020) writes, it is moving from “feeling sorry” to “doing sorry”.

The main goal for holding institutions accountable for past and present harms should be repatriation and restitution, but these processes will likely never happen with the promptness and speed that is demanded of them, particularly given the complexity of decision-making processes within museums (Morse, 2018, pp. 173–174). In the meanwhile, this proposed framework can be utilised as a way to pro-actively engage with the affected individuals and communities and begin to mend and strengthen relations. In focusing on the archival material held within institutions, this framework is targeting one of the more problematic aspects of the museum as a whole. Collections are ultimately the continuation of colonial hoarding and are already the cause of recent disputes (e.g., Nwakunor, 2021; Salisbury, 2021; Winters, 2021). This also does not take into consideration the amount of material that is unknown to the public, as seen in more recent cases of repatriation (e.g., Justinvil & Colwell, 2021; Pilkington, 2021; Veal, 2021). Following Nakata (2012, p. 103), we can instead transform archives from storehouses into points of access. We can (perhaps literally) reveal these “skeletons in the closet”, and at least provide a starting point for difficult conversations to occur, as well as provide a way forwards for tangible action to make amends.

McKee and Porter (2012, p. 60) suggest that the archives exist as a liminal space between people/artefacts and researchers, building upon Glenn and Enoch’s (2008, p. 24) conception of the archives as a place in which “reciprocal cross-boundary exchange” can occur. With this in mind, as well as Hicks’ (2020, p. 234) assertation that the museum cannot truly decolonise but instead become a transformative place of thinking and doing, perhaps we can set a destination upon which accountability may take us, in which these institutions are no longer colonial hoarders or gatekeepers, but instead contemplative spaces in which once hidden away materials can be reunited with the communities from which they came, reconnections can continue to be made, and conversation can occur. For if we cannot undo the harm that has been inflicted by museums and institutions for hundreds of years, then we can at least repair the relations and move forward together for a better future.

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Gesturing Beyond Bones: Proposing a Decolonised Zooarchaeology

This is the text from a talk I gave at the Approaches to Decolonising Research event organised by the Decolonising the Curriculum Working Group at Liverpool John Moores University. If you’re interested in reading the talk that formed the basis of this one, you can find that transcript here.

A proposed framework for moving towards decolonisation (from the original presentation).

The call to decolonise archaeology is perhaps as old as the discipline itself, born as soon as colonised peoples began to fight back against the colonisers who intended to loot their land and culture. But the push for decolonising the theory and practice of the discipline from within is somewhat more recent, having become a topic of broader interest during the past few decades. Much has been done with regards to moving away from Eurocentric, white perspectives of archaeological theory and practice which perpetuate colonialist thought by embracing Black and Indigenous approaches to archaeology (Smith and Wobst, 2005; Atalay, 2012; Schmidt and Pikirayi, 2016; Battle-Baptiste, 2017). The emergence of community-based archaeology has encouraged the development of more ethical and equitable partnerships and relations between archaeologists and Indigenous communities (e.g., Byrne, 2012; May et al., 2017), as well as the “braiding” of local and academic knowledge to develop more holistic and inclusive interpretations of the past (Atalay, 2012, p. 27).

With the re-emergence of the Black Lives Matter movement in the summer of 2020, the push for decolonising archaeology has only intensified.  Groups such as the Society of Black Archaeologists, the Indigenous Archaeology Collective, and the European Society of Black and Allied Archaeologists have formed to support and encourage the work of Black and Indigenous archaeologists. This has also led to a long overdue reckoning of the racial dynamics of archaeology, including the continued lack of diversity within the field and the need for a commitment to anti-racism and anti-Blackness (Franklin et al., 2020; White and Draycott, 2020; Brunache et al., 2021; Flewellen et al., 2021).

Although the decolonisation movement continues to expand within archaeology as a whole, there has been very little work done in the subfield of zooarchaeology from a decolonial perspective. This is somewhat understandable; zooarchaeology, as the study of animal remains in the archaeological record, is sometimes seen as disconnected from the study of human culture, and thus not likely to be seen as something in need of “decolonising”. And yet, adjacent fields such as animal studies and natural history studies have begun to develop a long body of literature and research dedicated to applying decolonial theory. This includes the vital work that Indigenous scholars have done in “Indigenising” these fields, particularly in re-examining human-animal relations from an Indigenous perspective (Todd, 2014, pp. 218–219). There has also been a movement within natural history studies to recontextualise research within the colonial context from which they derive from; this has also been reflected in recent work being done in decolonising natural history collections, such as the powerful “Displays of Power” exhibition at the Grant Museum of Zoology.

This is not to say that zooarchaeology is completely devoid of research that engages with colonialism and decolonisation; on the contrary, zooarchaeological analysis has been used to examine colonialism within the archaeological record (e.g., Kennedy and VanValkenburg, 2016; Delsol, 2020; Wallman, 2020), with more recent research grappling more explicitly with decolonial theory as part of interpretation and application (e.g., Moss, 2020; Van Litsenburg, 2021; Gruntorad, 2021; Laurich, 2021). But compared to the amount of decolonial interventions in archaeology as a whole, this critical perspective is lacking within zooarchaeology.

In 2019, I originally posited my own hypothetical approach to a “decolonised” zooarchaeology (Fitzpatrick, 2019). My interest in decolonial theory was inspired by my own personal struggles as a Chinese American woman attempting to make space for myself and my work in British archaeology as a graduate student; this was unsurprisingly difficult in a field where 97% of its practitioners are white. In understanding that I was working in a discipline not meant for myself, I recognised the need for dismantling these limitations and expanding beyond the white, Euro-Western notion of archaeological practice and theory.

As I begun to train as a zooarchaeologist, I noticed how much of the literature was focused on very utilitarian interpretations of faunal remains; in some ways, there is some sense to this, as domestication and subsistence through the consumption of animals make up a significant amount of the zooarchaeological record. However, this is not the only relation that humans had with non-human species, and to narrow this relationship to a purely utilitarian standpoint is reflective of a Euro-Western perspective. Indeed, social zooarchaeology was developed to work against the assumption that human-animal relations could only be representative of such utilitarian motives, and further explore the way this relationship could be interpreted by looking at the use of animals in ritual, symbolism, and companionship in the past (Russell, 2012).

This connects to a broader attitude of anthropocentrism that is prevalent within zooarchaeology; again, this is unsurprising, as the discipline is often defined as utilising animal remains to develop an understanding of human life in the past (Albarella, 2017, p. 4). Such anthropocentrism has also been connected to the Euro-Western, settler-coloniser understanding of human-animal relations that has often been at odds with Indigenous perspectives (Belcourt, 2015, pp. 4–5). Overton and Hamilakis (2013) have proposed using social zooarchaeology as a means of decoupling the subfield from this perspective by adopting philosophical approaches such as Cary Wolfe’s “zoontology” (2003, pp. x–xiii) and the post-humanist analyses of interspecies relations and interactions by scholars such as Jaques Derrida (2008)and Donna Haraway (2007) in order to examine non-human lives as sentient beings with autonomy and agency in the past.

Zooarchaeology has also be used to perpetuate other Euro-Western binaries that are not universal; this includes the view that nature and culture are opposed to one another, as well as humans and animals. It is through these dichotomies that exploitation and domination are rationalised (Hovorka, 2017, p. 388). Similarly, when invoked in zooarchaeological interpretation, we continue to perpetuate an anthropocentric idea that human-animal relations have always been grounded in domination and commodification of one species over another.

My proposal for a decolonised zooarchaeology focused on decentring these Euro-Western perspectives, moving away from utilitarian, anthropocentric approaches to interpretating the zooarchaeological record that perpetuated Euro-Western binaries that likely did not even exist in the past. We could instead broaden our conceptions of non-human experience in the past, and further expand and enrich our understanding of human-animal relations without burdening our interpretations with the need to reframe them within our limited concepts of functionality and practicality, or by insisting on an anthropocentric focus. It would necessitate a massive restructure of zooarchaeological theory and practice, but it also had the potential of being a powerful shift in interpretation and understanding.

Since I originally posited these ideas in 2019, much has changed; with the global pandemic, the continuation of colonial violence is laid bare, as systemic racism is further invigorated by governments more concerned with collapsing capitalist systems and the Global South is completely abandoned by countries hoarding vaccines in the Global North. At the start of the pandemic, we saw the revival of the Black Lives Matter movement, which ultimately set off a wave of institutional level “equity, diversity, and inclusion” initiatives, often under the guise of “decolonising”; although it was (and still is) hoped that many of these initiatives, regardless of the actuality of their sincerity, will make way for tangible change in academia, some have already proven to have been performative in nature. For example, in 2021 the University of Leicester was accused of using its “decolonising the curriculum” initiative as an excuse to remove modules in medieval literature and English language and make 145 staff members redundant (Regan, 2021). More recently, three Cameroonian academics were blocked from entering Germany to present their research on artefacts from Cameroon than are presently part of the Bavarian Royal Collections (Hickley, 2022).

Against this setting, it is unsurprising that there has been further discourse surrounding the current status of the decolonisation movement in the academy. Similar to the critiques of the sudden popularity of EDI work in neoliberal institutions, scholars well-versed in decolonial theory and praxis have noted that decolonisation has been emptied of its radical potential for performative purposes (e.g., le Grange et al., 2020; Opara, 2021); instead, it has turned into what Foluke Adebisi (2020) refers to as a “tick-box exercise” that does not actually disrupt “hierarchised epistemic hegemonies”.

Despite the popularity of Tuck and Yang’s (2012) Decolonization is not a Metaphor, we continue to see the term used more metaphorically as it gets watered down and deradicalised through misuse. Decolonisation has, ironically, become colonised, particularly by scholars from the Global North who have not truly engaged with decolonial work from the Global South and continue to misuse these theories outside of the original Indigenous and African frameworks. This leads us to echo a question posed by African scholar Chisomo Kalinga: “Who is decoloniality for? The coloniser, or the colonised?” (as quoted in Pai, 2021).

Another specific critique of “decolonising” within the academia has revolved around the imprecise use of language. The misuse of the terminology by those in the Global North has further compounded the misunderstanding that decolonisation is a synonym for the broader “social justice” movement within academia, thereby disengaging the concept from its origins as a force of resistance against colonisation (Kalinga in Pai, 2021). And as Jairo Fúnez reminds us (2021), by decoupling decolonial theory from its origins among scholars in the Global South in order to refigure it as a digestible concept within the Global North, we risk equally decoupling it from its associated ethical and political commitments.

In revisiting the idea of decolonising zooarchaeology today, my own opinion has changed. That is not to say that I am against the idea of decolonising zooarchaeology; on the contrary, I still think it is something to aspire to. But I struggle to truthfully see myself or my work as actively decolonising, and I believe that to call it such may unintentionally lend itself to the reactionary movement that aims to dilute the word. That call for a precision of language by decolonial scholars and activists is a powerful one that we must heed, even if it requires some difficult self-reflection and introspection of our own work and where it truly lies – if at all – within the paradigm of decolonisation.

Today, I have begun to experiment with situating myself and my work as moving towards decolonisation, following Nayantara Sheoran Appleton’s suggestion that academics not ready to decolonise instead focus on planning how they will do so in the future, providing the time and space necessary to properly engage with prior and current work. Similarly, I do not think of my prior or current work as “decolonising”; rather, I instead view it as part of the progression that will eventually lead to decolonisation. And this isn’t necessarily a bad thing, either – indeed, as many scholars have pointed out, decolonisation is not a single event; it is a complex process that will be painful and push us beyond the colonial limits that some have become accustomed to and comfortable within, as well as necessitate many academics to relinquish their power and privileges to those who have been marginalised and harmed by our work. In moving towards decolonisation, I now place emphasis on developing meaningful support for accountability, on dismantling power dynamics within community engagement, and on examining the usefulness of archaeology as a tool for supporting the sovereignty of Black, Indigenous, historically looted, and otherwise marginalised communities over their land and culture, as well as increasing their autonomy over research and knowledge production and dissemination.

For zooarchaeologists intent on decolonising, perhaps the best way forward has already been demonstrated in recent work by zooarchaeologists such as Moss (2020) and Gruntorad (2021) in citing the usefulness of zooarchaeological research for Indigenous food sovereignty. Utilisation of applied zooarchaeology has already merited some success in modern day conservation efforts (e.g., Wolverton and Lyman, 2012; Nagaoka et al., 2016); similarly, we could apply zooarchaeological analysis and interpretation to supporting Indigenous land and resource sovereignty and decolonising conservation and wildlife management. Beyond this movement to action, I still maintain that my original proposal has some merit as part of an agenda towards decolonisation; again, it may not be decolonising work in of itself, but the decentring of Euro-Western, anthropocentric perspectives of non-human species can help further develop a foundation of theory upon which a decolonising form of zooarchaeology can be built.

By adopting a framework of moving towardsdecolonisation, I believe that archaeologists can continue to do vital work in recognising harmful practices and developing sustained and tangible means for repairing relations and holding ourselves and our research accountable, while also staying vigilant of falling backwards into performative acts of “decolonisation”, which actively hurts the movement under the guise of performative progressiveness. Remaining in a phase of moving towards decolonisation means that archaeologists are aware of our positionality towards the cause, relinquishing space to those actively decolonising theory and practice, but also continuing to support the movement through adjacent acts of change, such as diversifying our curriculum and developing meaningful relationships with marginalised peoples who were once objectified and harmed by our research.

This follows a recent proposal from Schneider and Hayes (2020) which posits that perhaps the way to decolonise archaeology is to decentre it; in this framework, archaeologists are actively encouraged to refrain from assuming and encouraging the centring of Western epistemologies as being vital to decolonisation, and instead consider how we can use the tools and resources granted to us due to our place in Western hierarchical power structures to support decolonial work outside of our institutions.  In moving towards decolonisation, we create the spaces necessary to dismantle surviving colonial structures and nurture a form of archaeology that is actually radical, liberatory, and decolonial. It is work that is vital to ushering in decolonisation, even if it isn’t exactly an act of decolonising.

That all said, I still do not know if archaeology can truly “decolonise”, especially from within these institutions not only located in the Global North, but from within the heart of a dying Empire as well. Perhaps the only way we can truthly decolonise is by destroying these remnants of colonialism and rebuild from the ashes. But what is not “decolonising” our work is ignoring the decolonial struggles that exist outside of the walls of the academy, nor is it “decolonising” to ignore or superficially engage with the work of writers and scholars from the Global South, extracting their labour and knowledge for academic gain. Not only do we do a disservice to and potentially harm others through this misuse of terminology, but we also provide ample space for the movement to be further watered down into performative, shallow-level acts of respectability and reformation, instead of an act of radical transformation.

As academics (and more specifically, as archaeologists), we need to be honest with ourselves in our intents to decolonise, and whether we are truly doing decolonial work. There is nothing wrong with not doing decolonial work yourself, and indeed, it would make for a more ethical approach to research if academics were more honest with their positionality and their place within the greater geopolitics of knowledge production and appropriation. But we cannot become complacent, either, and ignore the necessity for decolonisation in our current world. We have a moral imperative to work towards decolonisation in the ways that we can, through meaningful and proactive action and change. But at the same time, we cannot allow ourselves to be tools of neoliberal and neo-colonial institutions through the appropriation of radical, liberatory work. Decolonisation necessitates a re-examination of ways of doing, and perhaps for academics, that also includes ways of doing decolonisation.

To conclude, I want to reiterate that this should not be taken as a damnation of the decolonisation movement in academia, nor as a warning against taking on decolonising work. Instead, I hope this is seen as a reminder that decolonisation is not an academic fad, or a buzzword that can be simply slotted into your next project or publication. It is a process of decoupling from and ultimately dismantling the colonialist structures upon which all of our research has been built. We can join the struggle with intention and critical re-examination of ourselves and our work, or we can co-opt it through carelessness and appropriation. It is imperative that if we choose to move, we move with purpose and as decolonisation transforms our understandings of knowledge, we transform with it as well  – otherwise we risk perpetuating the same harms that necessitated the decolonisation movement to begin with.   

References

Adebisi, F., 2020. Decolonisation is not about ticking a box: It must disrupt. University World News.

Albarella, U., 2017. Zooarchaeology in the Twenty-First Century: Where We are Now, and Where are We Going, in: Albarella, U. (Ed.), The Oxford Handbook of Zooarchaeology. Oxford University Press, Oxford, pp. 3–24.

Atalay, S., 2012. Community-based Archaeology. University of California Press, Oakland, CA.

Battle-Baptiste, W., 2017. Black Feminist Archaeology. Routledge.

Belcourt, B., 2015. Animal Bodies, Colonial Subjects: (Re)Locating Animality in Decolonial Thought. Societies 5, 1–11.

Brunache, P., Dadzie, B., Goodlett, K., Hampden, L., Khreisheh, A., Ngonadi, C., Parikh, D., Sires, J., 2021. Contemporary Archaeology and Anti-Racism: A Manifesto from the European Society of Black and Allied Archaeologists. European Journal of Archaeology 24, 294–298. https://doi.org/10.1017/eaa.2021.21

Byrne, S., 2012. Community Archaeology as Knowledge Management: Reflections from Uneapa Island, Papua New Guinea. Public Archaeology 11, 26–52. https://doi.org/10.1179/175355312X13311392295513

Delsol, N., 2020. Disassembling cattle and enskilling subjectivities: Butchering techniques and the emergence of new colonial subjects in Santiago de Guatemala. Journal of Social Archaeology 20, 189–213. https://doi.org/10.1177/1469605320906910

Derrida, J., 2008. The Animal that Therefore I Am. Fordham University Press, New York.

Fitzpatrick, A., 2019. Beyond Domestication and Subsistence: A Call for a Decolonised Zooarchaeology, in: Decolonising Science Narratives. https://doi.org/10.17605/OSF.IO/CU4ET

Flewellen, A.O., Dunnavant, J.P., Odewale, A., Jones, A., Wolde-Michael, T., Crossland, Z., Franklin, M., 2021. “The Future of Archaeology Is Antiracist”: Archaeology in the Time of Black Lives Matter. Am. Antiq. 86, 224–243. https://doi.org/10.1017/aaq.2021.18

Franklin, M., Dunnavant, J.P., Flewellen, A.O., Odewale, A., 2020. The Future is Now: Archaeology and the Eradication of Anti-Blackness. International Journal of Historical Archaeology 1–14.

Fúnez, J.I., 2021. With such a pyramidal academic structure, it’s not surprising that concepts advanced by decolonial theorists in the Global South tend to be emptied of their ethical & political commitments once re-articulated in the Global North. Twitter . https://twitter.com/Jairo_I_Funez/status/1473663451696300036

Gruntorad, K., 2021. Recreating and Rethinking Pot Polish: an Experimental Analysis and Zooarchaeological Approach to the Taphonomy of Cooking Fauna (MA Thesis). Northern Arizona University. https://doi.org/10.13140/RG.2.2.20886.06727

Haraway, D.J., 2007. When Species Meet. University of Minnesota Press, Minneapolis.

Hickley, C., 2022. Cameroonian provenance researchers denied visas for Munich conference [WWW Document]. The Art Newspaper. URL https://www.theartnewspaper.com/2022/01/13/cameroonian-provenance-researchers-denied-visas-for-munich-conference (accessed 2.8.22).

Hovorka, A.J., 2017. Animal Geographies: Globalizing and Decolonizing. Progress in Human Geography 41, 382–394.

Kennedy, S.A., VanValkenburg, P., 2016. Zooarchaeology and Changing Food Practices at Carrizales, Peru Following the Spanish Invasion. International Journal of Historical Archaeology 20, 73–104.

Laurich, M.S., 2021. Archaeological Pets: A Pathological Examination of the Human-Dog Relationship in the American Southwest (MA Thesis). Northern Arizona University. https://doi.org/10.13140/RG.2.2.35080.34562

le Grange, L., du Preez, P., Ramrathan, L., Blignaut, S., 2020. Decolonising the university curriculum or decolonial-washing? A multiple case study. Journal of Education 25–48. https://doi.org/10.17159/2520-9868/i80a02

May, S.K., Marshall, M., Domingo Sanz, I., Smith, C., 2017. Reflections on the Pedagogy of Archaeological Field Schools within Indigenous Community Archaeology Programmes in Australia. Public Archaeology 16, 172–190. https://doi.org/10.1080/14655187.2018.1483123

Moss, M.L., 2020. Did Tlingit Ancestors Eat Sea Otters? Addressing Intellectual Property and Cultural Heritage through Zooarchaeology. Am. Antiq. 85, 202–221. https://doi.org/10.1017/aaq.2019.101

Nagaoka, L., Rick, T.C., Wolverton, S.J., 2016. Applied Zooarchaeology: Five Case Studies. ISD LLC.

Opara, I.N., 2021. It’s Time to Decolonize the Decolonization Movement. Speaking of Medicine and Health. URL https://speakingofmedicine.plos.org/2021/07/29/its-time-to-decolonize-the-decolonization-movement/ (accessed 2.8.22).

Overton, N.J., Hamilakis, Y., 2013. A Manifesto for a Social Zooarchaeology: Swans and Other Beings in the Mesolithic. Archaeological Dialogues 20, 111–136.

Pai, M., 2021. Decolonizing Global Health: A Moment To Reflect On A Movement. Forbes.

Regan, A., 2021. Anger at University of Leicester’s “decolonised curriculum” plans. BBC News.

Russell, N., 2012. Social Zooarchaeology: Humans and Animals in Prehistory. Cambridge Press, Cambridge.

Schmidt, P.R., Pikirayi, I., 2016. Community Archaeology and Heritage in Africa: Decolonizing Practice. Routledge.

Schneider, T.D., Hayes, K., 2020. Epistemic Colonialism: Is it Possible to Decolonize Archaeology? American Indian Quarterly 44, 127–148. https://doi.org/10.5250/amerindiquar.44.2.0127

Smith, C., Wobst, H.M., 2005. Indigenous Archaeologies: Decolonising Theory and Practice. Routledge, New York.

Todd, Z., 2014. Fish Pluralities: Human-Animal Relations and Sites of Engagement in Paulatuuq, Arctic Canada. Etudes/Inuit/Studies 38, 217–238.

Tuck, E., Yang, K.W., 2012. Decolonization is Not a Metaphor. Decolonization: Indigeneity, Education, and Society 1.

Van Litsenburg, Z., 2021. How Can We Decolonize Caribbean Zooarchaeology? A Call for Conversation. Presented at the ARCHON Day 2021, Allard Pierson Museum.

Wallman, D., 2020. Subsistence as Transformative Practice: The Zooarchaeology of Slavery in the Colonial Caribbean. Journal of African Diaspora Archaeology and Heritage 9, 77–113. https://doi.org/10.1080/21619441.2021.1902228

White, W.A., Draycott, C., 2020. Why the Whiteness of archaeology is a problem. Sapiens.

Wolfe, C., 2003. Introduction, in: Wolfe, C. (Ed.), Zoontologies: The Question of the Animal. University of Minnesota Press, Minneapolis, pp. ix–xxiii.

Wolverton, S., Lyman, R.L., 2012. Conservation Biology and Applied Zooarchaeology. University of Arizona Press.


If you’re financially stable enough, why not donate to help out marginalised archaeologists in need via the Black Trowel Collective Microgrants? You can subscribe to their Patreon to become a monthly donor, or do a one-time donation via PayPal.

My work and independent research is supported almost entirely by the generosity of readers – if you’re interested in contributing a tiny bit, you can find my PayPal here, as well as my Amazon Wishlist for research material.

A Sort of Urban Warfare: The Future Archaeology of Hostile Architecture

One of the reasons why I like speculative archaeology, or hypothetical archaeologies created in the future of our present, is that is allows us to look at current issues from a different perspective. In particular, I enjoy speculating on how specific iconography and design choices might be interpreted – for many of us, one of the first archaeological exercises you do in college is to speculate how a coin would be seen by future archaeologists, and I guess I never outgrew that. Let’s move beyond the fanciful interpretation of how George Washington’s face on the quarter could be seen as worship and idolatry (actually, there’s something there…), and move towards something perhaps more urgent: hostile architecture and design.

Recently, the MTA in New York City was justifiably put on the spot for its blunt stance against unhoused people, which was exacerbated by the unveiling of more benches designed to deter people from hanging around too long – again, something which will disproportionately affect unhoused people.  This got me thinking about the hostile architecture and what it encapsulates about our current world. “Hostile architecture” refers to specific design features made to deter people from staying too long in public spaces. This includes incorporating spikes on flat surfaces, placing seats at uncomfortable angles, and including dividers to prevent people from laying down. Hostile architecture and design removes comfort and rest from public spaces, and often funnels those needs into commodities (Kim 2019) – if hostile architecture makes sitting for free in a courtyard an impossibility, would you then turn to being a customer of a nearby café just to sit down and relax?  And again, these design choices disproportionately affect certain groups of people: disabled people, unhoused people, and poor people. 

It is easy to imagine the sort of interpretations that future archaeologists will make of the more overtly hostile architecture – both designed to repel people, one can see how spikes on a windowsill in New York City can evoke the imagery of defensive systems used in the historic and prehistoric past, from sticks and stones which were used as Iron Age chevaux-de-frise  (Murphy 2018) to the stockades often used by colonial forces during military expeditions (Jayasena 2006). Hostile architecture also inspires its own adjacent archaeologies as well, with people creating their own spaces in response to this antagonism. Here, we can actually turn to work being done alongside communities of unhoused peoples, as archaeologists such as Rachael Kiddey and John Schofield in the United Kingdom, and Larry J. Zimmerman and Jessica Welch in the United States have demonstrated with their research (e.g. Kiddey and Schofield 2011, Zimmerman and Welch 2011).

Of course, it should be said that hostile architecture shouldn’t need this sort of roundabout form of reflection to be seen as “bad”, and that choosing to divest from these antagonistic designs should be based on empathy and respect for people regardless of their circumstance, rather than the imagined judgements of a far future archaeologist. Fortunately, there are many who continue to speak out against hostile architecture and protest there use – this includes people who have also taken things into their own hands and have removed these features themselves (Suliman 2018).  And maybe this is where archaeology can step in…after all, I’m pretty sure many of us have a mattock or two to spare.

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Hostile Architecture found on a Manhattan windowsill (Photo Credit: JL Jahn/Alamy)

To end this post, I’d like to promote some groups and organisations who are doing good work at providing mutual aid for unhoused people in the UK and the US. Please consider donating, and remember that unhoused people are also part of your communities, and deserve the same respect, dignity, and care that everyone else receives. 

Remora House DCWashington DC, United States

From the Heart PNW – Seattle, WA, United States

Feed the People Dallas Mutual Aid – Dallas, TX, United States

Chicago Coalition for the Homeless – Chicago, IL, United States

Coalition on Homelessness – San Francisco, CA, United States

National Coalition for the Homeless – United States

Museum of Homelessness – United Kingdom

NRPF Network – United Kingdom

Homeless Network Scotland – Scotland

References

Jayasena, R.J. (2006) The Historical Archaeology of Katuwana, a Dutch East India Company Fort in Sri Lanka. Post-Medieval Archaeology 40(1). pp. 111-128.

Kiddey, R., and Schofield, J. (2011) Embrace the Margins: Adventures in Archaeology and Homelessness. Public Archaeology 10(1). pp. 4-22.

Kim, E. (2019) A Field Guide to the ‘Weapons’ of Hostile Architecture in NYC. The Gothamist. Retrieved from https://gothamist.com/news/a-field-guide-to-the-weapons-of-hostile-architecture-in-nyc

Murphy, K. (2018) The Atlantic Coast. Internet Archaeology  48.

Suliman, A. (2018) Public Hits Back at ‘Hostile Architecture’ in European Cities. Reuters. Retrieved from https://www.reuters.com/article/us-europe-cities-homelessness-idUSKCN1M419S

Zimmerman, L.J., and Welch, J. (2011) Displaced and Barely Visible: Archaeology and the Material Culture of Homelessness. Historical Archaeology 45(1), pp. 67-85.

 


If you’re financially stable enough, why not donate to help out marginalised archaeologists in need via the Black Trowel Collective Microgrants? You can subscribe to their Patreon to become a monthly donor, or do a one-time donation via PayPal.

My work and independent research is supported almost entirely by the generosity of readers – if you’re interested in contributing a tiny bit, you can find my PayPal here, as well as my Amazon Wishlist for research material.

Building Barricades and Breaking Sh*t: The Archaeology of Protest and Dissent

After a year of many protests, it will be interesting to examine what the archaeological record says about 2020. Protests have always interested me as a form of archaeology given how varied the characteristics of a protest can be – is it an impromptu, one-off event? A pre-planned occupation that lasted several days? Did it fizzle out, leaving behind barely a trace in the archaeological record? Or did it grow into something much bigger, resulting in further dissent that can be seen through its remains? There’s also a really interesting interplay between creation and destruction that is inherent in prolonged protests – although protests are often associated with breaking windows and destroying property, there is also an urgent creation of space. This includes the occupation of buildings, the construction of barricades, and even the development of autonomous zones. Unsurprisingly, it is these longer lasting protests that will be reflected more prominently in the archaeological record.

Protestors holding a “REVOLT” sign during the Occupy Wall Street protests of 2011 in New York City.

Take, for example, the archaeology of the Lees Cross and Endcliffe Protest Camp in Derbyshire, England (Badcock and Johnston 2009). This camp was occupied by protestors fighting against the re-opening of sandstone quarries at Lees Cross and Endcliffe, with inhabitants living there for about a decade (1999 – 2009). Archaeological survey of the camp started in 2008 as it was still occupied, with further work occurring once the camp was dismantled. Arguably the main focus of the archaeological work was the architecture of domestic space, which consisted of both ground dwellings and tree houses, as well as communal spaces. It is interesting to note how, archaeologically, we can see where dwellings became more permanent due to the addition of supported infrastructure and weather-proof materials, and how other additions were made to serve the purposes of maintaining the protest camp against possible eviction.

Another example of protest archaeology is seen at the Nevada Peace Camp in the United States (Beck et al. 2007), located near the Nevada Test Site that has been used to test nuclear weapons between 1951-1992. The Peace Camp was a meeting place for over 200 groups of people, including activists of various causes as well as the Western Shoshone tribe. Similar to the Lees Cross and Endcliffe Protest Camp, the archaeology of the Peace Camp is focused on the architectural features. However, it is interesting to see how these humanmade features are ultimately a reflection of the surrounding environment, with most made from local rocks and little representation of wood artefacts given the lack of trees (although it should be noted that there were wood artefacts – these were made with imported wood, however). The creation of features such as cairns, hearths and memorial art also reflect a spiritual aspect to the Peace Camp and speaks to the communal values that were shared by the various groups of people who inhabited this space.

So, what can we learn from archaeological study of protest sites? Well, as the old saying goes, “winners write the history books” – protest sites can often inform us of other sides to the story, providing an additional dimension to dissenting voices. In these impromptu camps, we see the ingenuity of humankind, how quickly we adapt to pressing issues and take care of one another. And as archaeologists, it helps to remember that we can use our expertise to push for change and protest in our own way (although obviously the ideal would be for us to put down our trowels and get on the streets, of course). Alongside the growing “punk archaeology” and “anarchist archaeology” movements (Black Trowel Collective 2016, Richardson 2017), archaeologists can provide vital context against the alleged “historical significance” of racist statues and monuments (Colomer 2020) as well as provide support and solidarity for the Indigenous communities that many work with during protests against further violence from settler governments (Beisaw and Olin 2020).

If anything, archaeology can at least show us how to properly tear down racist memorials and statues.

References

Badcock, A. and Johnston, R. (2009) Placemaking through Protest: an Archaeology of the Lees Cross and Endcliffe Protest Camp, Derbyshire, England. Archaeologies: Journal of the World Archaeological Congress. pp. 306-322.

Beck, C.M., Drollinger, H., and Schofield, J. (2007) Archaeology of Dissent: Landscape and Symbolism at the Nevada Peace Camp. In J. Schofield and W. Cocroft (eds) A Fearsome Heritage: Diverse Legacies of the Cold War. Taylor & Francis Group. pp. 297-320.

Beisaw, A.M. and Olin, G.E. (2020) From Alcatraz to Standing Rock: Archaeology and Contemporary Native American Protests (1969–Today). Historical Archaeology 54. pp. 537-555.

Black Trowel Collective (2016) Foundations of an Anarchist Archaeology: A Community Manifesto. Savage Minds. Retrieved from https://savageminds.org/2016/10/31/foundations-of-an-anarchist-archaeology-a-community-manifesto/

Colomer, L. (2020) Black Lives Matter and the Archaeology of Heritage Commemorating Bigoted White Men. Science Norway. Retrieved from https://sciencenorway.no/archaeology-opinion-racism/black-lives-matter-and-the-archaeology-of-heritage-commemorating-bigoted-white-men/1709994

Richardson, L. (2017) I’ll Give You ‘Punk Archaeology’, Sunshine. World Archaeology 49(3). pp. 306-317.


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Archaeology as Violence: Confronting the Dynamics of a Violent Practice and Theory

Note: This is part of a book chapter I wrote a few years ago for a now-defunct project. After a few attempts to submit it to several journals, I gave up on it. I recently brought it out to aid in the writing of a new paper and figured it might be worth posting it on the blog. Nearly four years later, I don’t think its a particularly great piece (and, rereading it now, I understand what Reviewer #2 meant when they called me a ‘obviously angry early career researcher’ lol), but I felt like it could do with seeing the light of day in some form. I also think it’s a nice look into a particular struggle I was having internally at the start of my PhD. So bear in mind that this isn‘t necessarily up-to-date, but I think the general theme of it still remains relevant.

This Paper is a Confrontation

Archaeology is, and always has been, a violent discipline.

This statement may be considered “combative” and “confrontational” in tone, but this is intentional. This paper is a crucial confrontation for our discipline that is long past due. Although there is certainly more self-critique and reflexivity in archaeological literature today (Nicholas and Hollowell 2007; Fiskesjö 2010; Fontein 2010), to say that archaeology as a whole has sufficiently dealt with its considerable baggage would be inaccurate; on the contrary, issues brought up by the relatively recent movement towards academic equity and the decolonization of the academy seem to have simply caused more arguments amongst our peers. One pertinent example is the question of repatriation of stolen artefacts from colonised lands, which is still a topic of debate (Burke and Smith 2007; Jenkins 2016; Thomas 2016).

The impetus of this paper is slightly drawn from my own personal confrontations. As an undergraduate student who had registered for my first archaeology course, I was understandably quite excited. So excited, in fact, that I immediately posted about it on social media, claiming that I was on my way to become “the next Indiana Jones”. My excitement was slightly cut down by a comment left by a stranger on the Internet: “why would you celebrate becoming part of an imperialist field?” Over the past decade, I have thought about that comment and attempted to reconceptualise my role as an archaeologist alongside my newfound consciousness of social justice and activism.

What is needed (and what is necessary) for archaeology to progress and grow into the future is the acceptance of a hard truth: that in both theory and in practice, our discipline as it is carried out today necessitates violence. That, regardless of intention, archaeologists will continue to cause harm in the name of science, under the assumption that physical and socio-cultural damage is outweighed by the academic gains and insight from archaeological research. This paper is a wake-up call for archaeologists to truly understand the costs of our actions – and perhaps think about ways in which we can radically change direction moving forward as a discipline.

Archaeology is a Violent Act

Physically, archaeological excavation and analysis necessitates violence on some level – whether it’s the first penetrative blow against land to create a trench, or the destruction of material remains within a lab for the sake of “science”, archaeologists can be seen as purveyors of constant destruction in the search of our collective past. I refer to this form of archaeological violence as a “violent act” to emphasise the physicality and tangibility of these actions.

Perhaps the best place to start with this critical analysis is with possibly the most definitive aspect of archaeology: the “dig”. Excavation, by its very nature, requires a varying amount of destruction of the surrounding environment: trowels, shovels, and mattocks are used to break beneath the ground, modern landscapes are dramatically levelled and altered to force the past out from its undisturbed slumber, and remains (both material and otherwise) are often ripped from their final resting places for further analysis and curation. Earlier approaches to excavation could often take the concept of “destruction” to another level, like Heinrich Schliemann’s infamously careless use of explosives during his excavation at Hisarlik (Allen 1999: 146).

In recent years, archaeologists have become more conscious of the violent tendencies of their handiwork, although it should be noted that this is cited mostly as an environmental or conservational concern (Matero 2006; Caple 2008; Holtorf and Kristensen 2015). Non-invasive fieldwork is not necessarily new, but recent advances in technology have allowed these non-destructive methods of surveying sites to be utilised more consistently and with better accuracy (Corsi 2013). These methods include geophysical survey (Gaffney 2008), remote sensing (Challis and Howard 2006), and, more recently, digitisation and 3D visualisation (Caggianni et al. 2012; Torrej ón et al. 2016). Despite these advances, it should be noted that some invasive methodology, like traditional excavation, remains a “necessary evil” for most archaeologists.

Of course, destruction in the name of archaeology is not limited to just excavation; the post-excavation stage of archaeological fieldwork can be just as destructive, albeit on a physically smaller scale. Many analytical methods of archaeological science require the partial or total destruction of samples as part of the process; this includes methods such as stable isotope analysis and various dating methods, such as radiocarbon dating (Mays et al. 2013).

Again, archaeologists today are becoming more concerned with non-invasive methodologies for scientific analysis, especially as many samples are exceptionally fragile and already at the mercy of contamination and degradation from relocation to the lab environment (Bollogino et al. 2008; Crowther et al. 2014). Alternatives to destructive sampling include x-ray techniques and spectrometry, both which can be applied to a wide variety of materials (Adriaens 2005; Uda et al. 2005).

As archaeology continues to progress and grow alongside advances in technology and science, it is likely that we will soon find ways to substantially limit the amount of physical destruction. However, I’d argue that the impetus behind much of the non-destructive methodology movement is more based on conserving the material culture, rather than respecting the cultural heritage behind the physical artefacts. That archaeologists may not consider the cultural significance behind sites and artefacts when deciding whether or not invasive methodology is necessary for analysis leads us to the less tangible form of violence that has been inherent in archaeology from the beginning.

Archaeology is an Act of Violence

Archaeology is violent on a socio-cultural level. As a discipline rooted in colonialism and white supremacy, archaeology is complicit in perpetuating acts of violence against BIPOC communities: from the theft of countless artefacts from colonised lands that are still held hostage by their colonisers in prominent institutions, to the dehumanisation of bodies of colour that are propped up for display in museums, treated as educational objects rather than people, archaeology continues to allow itself to be weaponised for the sake of maintaining the current status quo through the oppression of others. This form of violence is specifically referred to as “acts of violence” to further emphasise that these are conscious acts that are imposed on others, more often than not as a form of marginalisation.

Let’s first start at the beginning of our discipline; it would not be an exaggeration to say that early archaeological pursuits were colonialist in nature. Egypt is arguably the region most associated with early, pith-helmeted excavations, resulting in a sizable amount of cultural theft through early (European-led) archaeology. One of the largest organised expeditions through Egypt was born through Napoleon’s military occupation during the late 18th and early 19th centuries, a formidable display of how imperialism is so often intertwined with fieldwork and research. The French expedition led to the discovery of Rosetta Stone and the publication of Description de l’Egypte, ultimately giving birth to the modern field of Egyptology (Reid 2002: 31-33). The defeat and withdrawal of French forces at the hands of the British let to the latter’s seizure of all artefacts collected by the former, including the Rosetta Stone (Wallis Budge 1989); this can be seen as the start of British theft and looting of Egyptian cultural heritage, which continues with the financial control of later archaeological excavations and museums in Egypt that allowed for various “relocations” of artefacts (Riggs 2013).    

This pattern of recontexualising colonial expeditions as “research adventures”, erasing the violence made against Indigenous populations and replacing it with the excitement and thrill of Western settlers’ adventuring across so-called “undiscovered” lands (Tuhiwai Smith 2012), may be best summed up as “colonial curiosity”. I believe this term accurately displays the dichotomy at play: that we have the propagandised, revisionist version of these expeditions as curious adventurers and knowledge-seekers “saving” artefacts and information from foreign land, and the actuality of colonialism in practice.   

Colonial curiosity is, of course, not just restrained to the African continent. In North America, many settlers and their descendants today have stories of finding arrowheads in their backyard; my own father, a settler occupying Massapequas territory (Long Island, New York), often spoke of his childhood collection of arrowheads whenever we spoke about my archaeological research. It speaks volumes that what amounts to heritage theft is so normalised as part of the North American settler upbringing. Most famously, Thomas Jefferson practised his own form of amateur archaeology when he dug up Native American graves just for his own personal satisfaction and curiosity (Riding In 1992: 15-16).

Even today, the idea of the archaeologist as the “dignified looter” has become so entangled with the general public’s conception of the profession that most, if not all, representations of archaeology in pop culture are no more than just thieves with academic certification and institutional funding – and while many of our colleagues may bristle at the constant comparisons between our work and that of the imperialist looter and adventurer Indiana Jones, can we truly say that archaeology is so far off from this description?

The repatriation debate highlights perhaps the most unfortunate and consistent recipients of archaeological violence today: the dead. Repatriation is a process by which human remains (and occasionally material culture) are returned to the communities from which they originate in order to be reburied. In most cases, these remains have been housed in museums and institutions to be employed in research and analysis (Hubert and Fforde 2002: 1); in essence, repatriation is a demand that human remains are no longer dehumanised and removed from their cultural and spiritual contexts. Calls for repatriation have been led by Indigenous peoples in North America (Thornton 2002; 2016) and Australia (Turnbull 2002; Byrne 2003), although there are numerous repatriation demands from communities around the world (Schanche 2002; Hole 2007; Shigwedha 2016). Over the past few decades, repatriation has become a legal issue as well, as laws such as the Native American Graves Protection and Repatriation Act (NAGPRA) in the United States provide more stable ground for repatriation claims. It should be noted, however, that laws such as NAGPRA are not the “end-all” solution to finally solve the repatriation question – there are still many opponents of the act that continue to push back against it, while proponents have also acknowledged that it is still an “awkward compromise” that places a huge emotional and financial burden on Indigenous peoples (Nash and Colwell-Chanthapohn 2010).

Opponents of repatriation may see themselves as guardians of knowledge or forerunners of archaeological progress, but who are they from the perspective of those calling for repatriation? At worst, they are thieves who are holding ancestral bodies hostage in their archives and laboratories. And at best? They are guilty of dehumanising these ancestors, seeing them more as objects for analysis rather than people who once lived and breathed. It’s this perspective that I think some archaeologists and curators may neglect to consider and empathise with, which may explain why there is still a debate regarding this issue.

The most well-meaning archaeologist may still be inadvertently continuing the discipline’s tradition of colonialization through smaller actions, particularly within the academy. In the United Kingdom, for example, despite a significant increase of women in academic and commercial archaeology, the field is still comprised of 99% white professionals (Hamilton 2014). The domination of archaeological literature by white and European academics has created an example of a phenomenon sometimes referred to as Chackrabarty’s Dilemma within the field, where non-European, marginalised academics researching their own cultures and archaeologies must inevitably turn to European literature which poses a risk of replicating Westernised biases and assumptions, creating a cycle of continued marginalisation (Chakrabarty 1992; Langer 2017: 191).

Colonisation by citation is unfortunately a common phenomenon. By continuing to uphold white voices over BIPOC (Black, Indigenous, and People of Colour), the narrative will remain under the control of Western/European theory and practice. However, there has recently been more pushback against the overt whiteness of citations; initiatives such as the Cite Black Women movement have rallied to decolonise academic citations across all disciplines (Jackson 2018). These BIPOC-led movements are absolutely vital and necessary, but they are just the beginning of the sort of radical change necessary for a just and equitable academy.

Intertwining, Destructive Acts

We have now examined archaeology as both a violent act and an act of violence, but note that these two concepts should not be considered as in opposition with each other; archaeological violence is often more complex, where violent acts and acts of violence are intertwined. To anticipate one critique of this paper, let me elaborate on why we must consider the seemingly impartial violence of physical acts of archaeology alongside the more overtly and intentionally malicious violence of colonialism. This conversation of “intent versus impact” is prevalent in discussions of hate speech, where the bottom line is: when the impact of your actions causes harm and aids in the further marginalisation and oppression of others, then your intent does not matter (Utt 2013).

These forms of violence can be analysed as separate entities, but in reality, they cannot be separated from each other so easily – as long as archaeology retains its violent nature, there will always be this assumption that heritage (both tangible and otherwise) will need to be destroyed in some way for “progress”. Arguments about the “greater good” in archaeology bring up unfortunate comparisons with similar excuses made in the name of controversial sciences like eugenics – which is fitting, given that archaeology also has a history of being utilised in theorising eugenics (Challis 2013).

There are numerous – perhaps too many – examples of intertwining acts of archaeological violence. The excavation (and inevitable destruction) of sacred sites, like the controversial destruction of Tikal Temple 33 (Berlin 1967) is a physical reminder that Indigenous religion is one of the many targets of colonial violence (Carey 2011: 79-83). Ultimately, we cannot have one without the other – violence begets more violence.

A Non-Violent Archaeology, A Transformative Archaeology

With the violence of our discipline acknowledged, we are left with an imperative question: how can we, as archaeologists complicit in institutional destruction and oppression, do better? First, another truth that we must consider: we cannot simply “undo” the damage that archaeology has caused. Actions and initiatives such as repatriation and increased disciplinary diversity are not “cure all’s” that will absolve archaeology of its sins, although they are certainly necessary steps in the right direction. We can return remains of the ancestral deceased and acknowledge our complicity through texts and actions, but we cannot claim that these deeds mend the wounds that centuries of violence have created.

So if we cannot undo the damage, then what is the alternative for archaeologists? I believe archaeologists have the capacity to radically change our discipline into what I would refer to as “transformative archaeology”. This form of archaeological practice and theory would draw heavily from ideas of transformative justice theory, which is a method used to address longstanding legacies of violence through  (Gready and Robins 2014: 339). Transformative justice theory itself has its roots in transitional justice, which also addresses violations of human rights, but within the confines of the current legal and political systems (Nagy 2008: 276). In contrast, however, transformative justice pushes past the limitations of transitional justice, emphasising the need to completely transform the systems we are working within in order to meet the needs of the oppressed at the forefront and provide them the agency they have long been denied within the current systems (Gready and Robins 2014: 350-355). Although transformative justice is usually associated with activism and human rights discourse, there is precedence for academic applications. Transformative paradigms allow researchers to work with greater reflexivity rather than complicity, as they not only acknowledge the realities that construct the context within they work in, but also has tools built into these paradigms for researchers to be more ethical in making decisions and conclusions (Mertens 2007).

Theories aside, what would this mean for how we engage with archaeology? If we are to move beyond colonialist archaeologies, we must also move beyond just theorising and put these critical conversations into action (McDavid and McGhee 2010: 481). To start, I would argue that a transformative archaeology would need to be non-violent by nature; archaeological violence is just too entwined with colonialism and racism to continue to support it as the crux of our discipline. Instead of centring excavation as a standard within archaeology, a transformative version would encourage more communal approaches that place the needs of descendent and affected communities over the goals of general archaeological fieldwork. We would need to establish a sense of collaboration that cannot necessarily coexist with the power dynamics inherent in modern archaeological practice; for this, adopting non-hierarchical approaches to organisation from anarchist theory may be the most suitable approach (Fitzpatrick 2018). Perhaps the easiest way to accomplish this is through dialogue with the communities most affected by our archaeological research, where we allow said communities to assert their agency – and their authority. When working as a postcolonial practice, archaeologists must give up the notion that our interpretations are the only interpretations; we must concede authority to descendent communities (Battle-Baptiste 2010: 388).  It should also be noted that a transformative archaeology would not completely remove destructive methodologies from our oeuvre; instead, we embrace this act communally with others, allowing for decisions to be made collectively and with the understanding of the community as a whole. It is a violent act, and perhaps one of the few remnants of the overtly violent archaeology of the past, but by giving communities agency and sharing the responsibility through conversation and organisation, we can lessen the more socio-cultural harm it creates. Overall, archaeologists need to embrace the subversion of normalised power structures as part of a transformative archaeology. Through this, we may begin to restructure archaeology at its core, creating a new, more equitable framework that is not supported by colonialist ideologies.

With that in mind, I also believe a transformative archaeology can learn from current discussions being held on postcolonial archaeologies, specifically when it comes to creating a transformative archaeological practice. For example, a more widespread adoption of ethnographic archaeology may provide practitioners with the tools necessary for a greater reflexivity in our archaeological research, allowing for discussion on the relations between archaeologists and community members and the ethical considerations coincide more with current social issues (Meskell 2010: 445, 453). However, even a transformative archaeology would have its pitfalls – as McDavid and McGhee (2010) warn in their commentary on postcolonial public archaeology and advocacy, we cannot fetishize our goals and make the overall aim become “practicing good archaeology” or “being a good person in archaeology” (490); ultimately, we must be doing this transformative work because it is necessary.

This Paper is an Optimistic Confrontation

Archaeology is violence. In the past and present, archaeology perpetuates both physical and socio-cultural violence in the application of its theory and practice. But there is potential for archaeology to become non-violent, to move beyond its assumed norms of “scientific destruction” and transform into a very different discipline.

Yes, this paper is confrontational, but it should not be seen as a pessimistic rant against the archaeological establishment that maintains these violent norms. On the contrary, it is through this confrontation that I hope aspiration can be born: the aspiration to become more than a discipline of and for violence, to fulfil the idea that archaeology allows us to touch the past and understand it. Much has been discussed by BIPOC academics about the concept of white imagination and how its severe limitations to see beyond whiteness help exacerbate the continued oppression and marginalisation of others (Coleman 2014; Rankine 2015; Todd 2019); I believe a similar lack of imagination is what has obstructed substantial change in archaeology. The Western (white) canon has thoroughly ingrained itself into archaeology courses for decades, developing a longstanding place in syllabi that can be easily misunderstood as “vital” or “necessary” reading, rather than just a reflection of bias and the internalised priority of whiteness. To imagine an archaeology without this foundation is nigh impossible for many, resulting in a definite pushback against those calling for radical change to the way archaeology is taught and practiced. 

As an “optimistic confrontation”, I hope that this paper helps spark the imagination necessary to weaken the resistance to such change. Like I have mentioned in the introduction, this paper is meant to reflect a similar journey I’ve gone through as an archaeologist who has been confronted with the truth of my research; just as that one Internet comment shook me out of my archaeological delusions of grandeur, I hope this paper is the jolt that some require to finally recognise how much work needs to be done. We can transform our discipline into something that acknowledges our colonial baggage, but is not beholden to it. When describing decolonization, Frantz Fanon (1963) called such a massive change in the world as “a program of complete disorder” (36); similarly, the process of transformation for archaeologists will also be rife with complications and conflicts. We are looking towards necessary change and development will be hard, and dirty, and downright ugly at times…but hasn’t that always described archaeology?

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Community-Led, Community-Run: The Blathers’ Approach to Museum Curation

In the Animal Crossing video game series, Blathers is the rather stereotypical curator of the local museums; a straight-laced nerd who punctuates his educational rambling with “wot?” and is dutiful in his collecting…even if he has to occasionally handle a bug or two. But what is less stereotypical is his curatorial approach as the head of a museum that is part natural history, part aquarium, part insect sanctuary, and part art galley. You see, it’s the Player Character’s responsibility (as well as other Player Characters who may visit via online play) to actually fill the museum with donated material!

And, honestly? I think we can learn something about museum curation from this nerdy entomophobe.

Blathers: “The cultural development of Wakame (my island in Animal Crossing) is a worthy endeavour indeed.”

In a way, I guess you can consider the museum in Animal Crossing to be a sort of “community-led museum”, in that ultimately it is you, the non-specialist member of the general public, who is providing material for the museum to exhibit. Of course, its not entirely community-led : Blathers ultimately has final say in what gets displayed (no repeats! no fake artwork!) and, given the game mechanics, nearly every player will end up with the same museum as they’re encouraged to collect all of the bugs, sea creatures, fish, and artwork available in the game. But I think we can see the Animal Crossing museum as a sort of example from which we can really discuss and development the idea of a truly community-led museum.

The idea of community-led museums isn’t new, of course – in fact, if we use a broad definition of the museum as any space that has collected and protected specific objects for viewing of the general public, then community-led museum-like spaces have existed for centuries in the form of shrines and communal areas. The more modern concept of the museum (as well as its associated curation policies) are arguably more “Western” in nature, with much of it developed in a colonial framework that unfortunately influences curatorial decisions to this day (Kreps 2006). Thus, many see the resurgence of the community-led museum as a means of shifting towards a more ethical approach to curation and display.

Of course, this also means that we are discussing a very site-specific form of community-led curation – similar to the way in which the Player Character is developing exhibitions of their town/island’s specific biodiversity in Animal Crossing, I would argue that community-led museums work best when dealing with its own community. In other words, it is important to not repeat the power dynamics of the colonial museum, but with a more communal approach! Previous experiments in the community-led approach has shown that it can help develop better relationships with the concept of a local, shared heritage, and lead to a feeling of collective ownership…and responsibility…of the history and artwork on display (Debono 2014, Mutibwa et. al. 2020).

What I find most interesting about the museum in Animal Crossing is the emphasis on natural history, on what a community-led natural history museum would look like. Of course, a real life application of the techniques used in the video game would be an ethical nightmare (not sure how you feel about encouraging the general public to catch and donate live fish and bugs at their leisure?), but I think the general conceit of the approach is something to consider. Citizen science, for example, has become very popular as a means of public engagement by institutions over the past decade, and there has been some examples of natural history museums spearheading projects to engage the community to participate directly in research (Ballard et. al. 2017).

As we find ourselves in a period of revaluation and reflection due to the influence of the Black Lives Matter movement, there is great potential for utilising a framework such as the community-led museum as a means of accountability and justice within historically colonial and racist institutions. As Olivette Otele recently said in a discussion with Fischer and Jansari (2020), community curation can be a means of shifting and taking power from the museum to the communities, where they can curate in ways that suit their means. This could also develop and improve long term sustainable relationships between the community and the institution, especially if the process of curation is also archived as part of the museum as well – forever preserving that collective labour, perhaps to use as a template moving forward to bigger and more radical things.

At some point, though, we should probably talk about Blather’s complicity (as well as the Player Character’s) in the illicit trade of artwork and antiquities…

References

Ballard, H.L. et al. (2017) Contributions to Conservation Outcomes by Natural History Museum-Led Citizen Science: Examining Evidence and Next Steps. Biological Conservation 208. pp. 87-97.

Debono, S. (2014) Muza: Rethinking National Art Museums and the Values of Community Curation. Malta Review of Educational Research 8(2). pp. 312-320.

Fischer, H. and Jansari, S. (2020) International Day for the Remembrance of the Slave Trade and its Abolition. Podcast. British Museum. Retrieved from https://soundcloud.com/britishmuseum/august-23-podcast-ep-mixdown

Kreps, C. (2006) Non-Western Models of Museums and Curation in Cross-Cultural Perspective. In A Companion to Museum Studies (eds S. Macdonald). Oxford: Blackwell Publishing. pp. 457-472.

Mutibwa, D.H., et al. (2020) Strokes of Serendipity: Community Co-Curation and Engagement with Digital Heritage. Convergence 26(1). pp. 157-177.

Nintendo (2020) Animal Horizon: New Horizons, video game, Nintendo Switch. Kyoto: Nintendo.


If you’re financially stable enough, why not donate to help out marginalised archaeologists in need via the Black Trowel Collective Microgrants? You can subscribe to their Patreon to become a monthly donor, or do a one-time donation via PayPal.

My work and independent research is supported almost entirely by the generosity of readers – if you’re interested in contributing a tiny bit, you can find my PayPal here, as well as my Amazon Wishlist for research material.

Archaeological Accountability

Unsurprisingly, the current pandemic has got many academics, particularly those of us who are very early in our careers, rethinking our future plans. With many job opportunities cancelled or otherwise postponed, the idea of remaining in academia feels rather pointless, or at least a much bigger risk than it used to be.

I came across a Tweet that really hit me hard from Twitter user @cemicool:

“Academics #onhere are literally having realizations EVERY SINGLE DAY about how academia won’t save anyone and how they need to be less self-important. I find it….idk…obnoxious? Like, why? Either study, liberate knowledge, critique institutions, or don’t.”

As someone who has dabbled in theorizing decolonial and anarchist approaches to archaeology, this was certainly a wake-up call. It’s all good to write articles about how bad the discipline is, but what was I actually doing to fix this? And that got me thinking….what would accountability look like for an entire academic discipline? What would holding archaeology, as a discipline born from colonialist enterprises and is still used today as a tool of subjugation and marginalization, look like? And is it even possible?

A sign in front of the Indiana Jones Epic Stunt Spectacular from Disney’s Hollywood Studios theme park…it has nothing to do with the blog post, but I couldn’t think of a good photo for this one!

The idea of accountability in archaeology isn’t new, of course, but what accountability in archaeology would look like seems to vary. For some, an accountable archaeology is about challenging perspectives and interrogating the ways in which whiteness and colonialism have written the past (Gorsline 2013, 2015), for others, it is an ethical practice of being transparent to shareholders, both academic and within the community, and funding organisations about the work you’re doing (Smith and Burke 2003, Heyworth 2014), and for many, it’s a combination of both (Ronayne 2008, Shepherd 2019, Cook 2020).

However, I’d like to focus more on the idea of accountability as practiced by activists and organizers across the world, and the ways in which this could be applied to archaeology as a discipline and service. In particular, I want to use the concept of “community accountability”, as used by practitioners of transformative justice. As described by the Audre Lorde Project, accountability here means to “aim at preventing, intervening in, responding to, and healing from violence through strengthening relationships and communities, emphasizing mutual responsibility for addressing the conditions that allow violence to take place, and hold people accountable for violence and harm”.

Accountability grounded in transformative justice acknowledges that it cannot undo the harm that has been caused – archaeologists, for example, will not be able to undo the pain of colonization through repatriation. But it is about, as Shira Hassan has put it, “what we can offer in a community accountability process [is] the beginning of healing and a feeling of the power being back in your hands” (Lakshmi Piepzna-Samarasinha 2020). Archaeological accountability is letting academics redistribute their power to the communities involved, returning agency to the very people we often write about in a very detached, sometimes dehumanizing way.

Moore and Russell (2011) have discussed using “active accountability” as a means of circumventing perceived negativity of the concept, in which an organization or individual develops a series of actions that they want to be accountable for, where trust is built between groups that allows for consistency in their shared goals, as well as to avoid replicating oppressive actions and power dynamics. The example they use in their book comes from Clayton Thomas-Muller from the Indigenous Environmental Network, who outlines accountability as “[being] respectful of our unique needs as Native people. We need to be sure that they are not tokenizing our community leaders in campaigns and initiatives that build the profile and power of that particular NGO instead of helping to build the power and profile of the community. We push them to develop mechanisms to make sure that the free and informed consent of Indigenous communities is respected, and to make sure to involve all community stakeholders…including our traditional people, our hunters, our women, our youth, and not just the council governments”.

And I think it is that quote that really captures what archaeological accountability must be – not researcher led, but community led. And, more specifically, led by the impacted community – this could be the local community surrounding the excavation site, the cultural community associated with the site, or even the familial community and descendants associated with the site. As Kai Cheng Thom (2020) writes on being held accountable for abuse, “it is not up to you to decide how the process of healing or accountability should work. This doesn’t mean that you don’t get to have rights or boundaries, or that you can’t contribute actively to the process. It means that you don’t get to say that the person you have hurt is “crazy” or that what they are expressing doesn’t matter”. I’d argue that this point could similarly be applied to archaeologists in a way – although you as the individual may not have contributed to the oppression and marginalization of these communities, you are acting in the name of a discipline that has. To hold archaeology accountable, we must allow for community-led approaches that inform the archaeologists what we are needed to do – this could be approaching site excavation and interpretation in a specific way, or providing community access to archaeological reports and publications, or repatriation of artifacts and remains. Hell, it might even mean accepting that the community does not want any archaeology to happen whatsoever.

And what about teaching? Can we hold space for accountability in the ways in which we teach archaeology? I think so – for example, in engaging with students (particularly those from marginalized communities) who may disagree with the ways in which archaeology is currently being taught. Rather than clinging to the hierarchy instilled in the institution of academy, these moments of self-reflection and discussion could be incredibly vital for both students and lecturers alike (and be sure to actually credit these students when you, the senior academic with tenure, inevitably attempt to publish this as your own work! You know who you are…).

I think accountability – beyond just transparency and good ethical practices – needs to be much more of a focus in archaeology. Academia clearly does have a problem of performative progress – of discussing ideas of equity and progressiveness, without actually doing anything tangible about it. And, more importantly, I think accountability can help remove the ego that many academics have, especially under the guise of being progressive or radical – by putting the impacted communities first, and your research second (or third, or fourth…as far back as we can put it, probably), perhaps we can actually start doing the things we claim our research does on all of our grant applications.

References

The Audre Lorde Project (2010) National Gathering on Transformative and Community Accountability.

Cheng Thom, K. (2020) What to Do When You’ve Been Abusive. In E Dixon and L Lakshmi Piepzna-Samarasinha (eds) Beyond Survival: Strategies and Stories from the Transformative Justice Movement. AK Press.

Cook, K. (2020) Re-Coding Collaborative Archaeology: Digital Teaching and Learning for a Decolonized Future. Communicating the Past.

Gorsline, M. (2013) White Privilege and the Archaeology of Accountability on Long Island. The Digital Archaeological Record.

Gorsline, M. (2015) An Archaeology of Accountability: Recovering and Interrogating the “Invisible” Race. In CN Matthews and AM McGovern (eds) The Archaeology of Race in the Northeast. University Press of Florida.

Heyworth, M. (2014) The Future of Local Government Archaeology Services. Council for British Archaeology.

Lakshmi Piepzna-Samarasinha, L. (2020) Every Mistake I’ve Ever Made: An Interview with Shira Hassan. In E Dixon and L Lakshmi Piepzna-Samarasinha (eds) Beyond Survival: Strategies and Stories from the Transformative Justice Movement. AK Press.

Moore, H. and Russell, J.K. (2011) Organizing Cools the Planet: Tools and Reflections to Navigate the Climate Crisis. PM Press.

Ronayne, M. (2008) Commitment, Objectivity, and Accountability to Communities: Priorities for 21st Century Archaeology. Conservation and Management of Archaeological Sites.

Smith, C. and Burke, H. (2003) In the Spirit of the Code. In LJ Zimmerman, KD Vitelli, and J Hollowell-Zimmer (eds) Ethical Issues in Archaeology. Society for American Archaeology.

Shepherd, N. (2019) Archaeology in the Shadow of Apartheid: Race, Science, and Prehistory. South African Archaeological Society Goodwin Series.


If you’re financially stable enough, why not donate to help out marginalised archaeologists in need via the Black Trowel Collective Microgrants? You can subscribe to their Patreon to become a monthly donor, or do a one-time donation via PayPal.

My work and independent research is supported almost entirely by the generosity of readers – if you’re interested in contributing a tiny bit, you can find my PayPal here, as well as my Amazon Wishlist for research material.

When does “Cultural Preservation” become “Cultural Taxidermy”?

I’ve been thinking a lot about modern engagement with heritage sites lately, specifically beyond the “museum model” that most are presented through. These are the heritage sites that allow for much more engagement, if not actual interaction, between the heritage site and the visitor – most of these are in the form of free-standing spaces, such as the numerous heritage sites that can be found throughout the Orkney Islands of Scotland.

The Standing Stones of Stenness, in Orkney, Scotland

I love these sorts of sites – I love being able to briefly feel how the space may have felt for past peoples, to look up in awe at impossible-looking architecture made of time-defying earth and stone.

But there’s similar sites that are much more restrictive, that keep their heritage treasures under lock and key, sometimes even literally. This restrictiveness can vary in severity – sometimes it’s a simple rope that keeps visitors from wearing down the ancient material, other times entire monuments have been transported (kidnapped, in some cases?) to a new place, to be exhibited in sterile environments that can be controlled and, more importantly, contained.

And I understand the impulse to do so – heritage can be a fragile thing, and many of us who work with the past find ourselves becoming rather protective of it. Who wouldn’t want to spare these sites the cruelty of time and nature, to allow our great great great grandchildren to experience them as we do today?

What do we decide can be exchanged for preservation? Because there must be an exchange, something must be given up for the price of preserving something else – a site, an artefact, a body…these must all be given strict conditions in order to preserve it, which will necessitate restrictions on the ways in which others engage with it. So these pieces of heritage become roped off, or sealed away behind glass, or only recreated through virtual or otherwise augmented realities. And yes, perhaps we still maintain its existence on within the material realm and allow others to experience some aspect of it, but what are we also removing from the experience?

It becomes something that I think of sometimes as “cultural taxidermy” – in which something that once was alive within the cultural of a community is preserved in death, frozen for aesthetics but lacking in anything more tangible, more engaging. And perhaps this is a harsh way to phrase it, but this is something I think about a lot when I wander through the “cultural” parts of museums, where bits and pieces of other peoples’ cultures are kept frozen in time, placed in some sort of tableau that implies a living essence that has long been taken from it.

And this leads to another question that I have: How do we ultimately cut off these spaces from the people who gave it life and meaning? This is obviously a vital question that needs to be considered as museums and other heritage institutions become more scrutinised as spaces of continuous colonialism in an allegedly post-colonialist world. It’s a question that doesn’t get consider when repatriation becomes part of the discussion, that’s for sure – it seems that most folks who are staunchly against repatriation of artefacts and other material culture often see this as an unfair exchange, that they (the institution, the museum, the Western culture) are losing something valuable that will in effect be “squandered” or “wasted” because it is no longer in their hands.

When these items and spaces are removed from their cultural contexts and placed behind glass, how are these lines of living culture interrupted? Why do we think that these things need to be preserved over all other uses? Again, to return to the taxidermy metaphor, it’s hard not to see some aspects of cultural heritage as intriguing and exotic animals to many heritage workers, who decide that to taxidermy it and preserve it forever is the only way for it to continue “living”, rather than allowing it to remain alive and flourishing in its original context and space.

So, what’s the point to all of this rambling? Is there a way to “fix” this, if it even is an issue at all? How do we shift the focus from “preserving history” to “preserving and restoring history”? As always, I have no idea! But I like asking these questions, because asking them means that they’re being scrutinised and considered – and so, if you’re someone who works in heritage (particularly Western institutions), I hope you begin to consider them too.

Recognising that Recognition is Not Enough: Confronting the Worst of Archaeology

A few months ago, I read Angela Saini’s newest book, Superior: The Return of Race Science. It is a really thorough examination of the ways in which race science continues to pervade our politics and research today, and I would recommend it to those (specifically, white scientists) who may not be familiar with its history and current discourse.

The cover of the book "Superior: The Return of Race Science" by Angela Saini

One of the things that I appreciated the most is that Saini really emphasises the hand that archaeology plays in the development of race science – sometimes inadvertently, and unfortunately, often intentionally. Take, for instance, Flinders Petrie, considered by many to be an innovator of archaeological methodology, actively worked on classifying and differentiating between races and helped develop early ideas of eugenics (Challis 2013). But it is the discipline’s goal of finding our collective origins that inadvertently lead archaeologists and anthropologists alike towards race science.

For example, Saini brings up the Solutrean Hypothesis – a theory that claims the first people to settle the Americas were the Solutrean people from the European continent approximately 20,000 years ago (Halmhofer 2018). By associating the origins of the Americas with Europe, it is easy for white supremacists to claim that the origins are “white” (Colavito 2014). Dennis Stanford and Bruce Bradley, the archaeologists who reintroduced this theory in 1999, have attempted to (poorly) distance themselves from the racist implications of the Solutrean Hypothesis, which has also been overwhelmingly rejected by archaeologists, but the damage is done – white supremacists claim another citation for their disgusting beliefs, and we, as archaeologists, have another long battle to fight in.

Those of you who follow me on Twitter may know that I’m far from apolitical. Contrary to what some folks may believe, science is political and, as scientists, we cannot stand on the sidelines and allow our research to be appropriated for violent means – not by politicians, not by non-specialists, and certainly not by peers and colleagues who wilfully utilise a notion of an apolitical science (that does not exist) in order to back-up their harmful agendas.

And there’s some improvement in fighting against racist science – academics, writers, and creators like Angela Saini are producing literature and media that are upfront about science as a political tool built upon racism and colonialism. Interdisciplinary work in fields such as “science history” and “ethics in science” are bringing the conversations to the forefront as well. Even museums and other institutions are recognising their complicity, with the Grant Museum of Zoology producing a new exhibition called “Displays of Power” to showcase how imperialism shaped natural history collections.

But…is that enough?

As Larissa Nez pointed out on Twitter recently, institutions like the British Museum will allow for “unofficial” tours that showcase the stolen objects in their possession, but still not do anything to change their ways. Science writers are giving space to address colonialist histories and problematic utilisations of research, but again…is that enough? Is recognition of the problem enough? When we consider accountability in the production of knowledge, is just laying out the facts – that much of what we know, perhaps nearly all of what we know, was derived from violent acts and violent beliefs – is that enough?

As Tuck and Yang point out in their monumental paper, “decolonization is not a metaphor”. And I think that speaks to everything discussed in this blog post as well – yes, recognition is a good first step. But we cannot stay at that first step forever, we cannot claim that recognition is “good enough” forever – we must move past words, past simple platitudes, and actually get tangible, physical work done. And it won’t be easy, it won’t be cheap – it will be labour intensive, it will cost money, and it will require many of these institutions and privileged scholars and scientists to humble themselves a great deal.

But it’s what needs to be done. And that may be enough.

References

Challis, D. (2013) The Archaeology of Race: The Eugenic Ideas of Francis Galton and Flinders Petrie. London: Bloomsbury Academic.

Colavito, J. (2014) White Nationalists and the Solutrean Hypothesis. Jason Colavito. Retrieved from http://www.jasoncolavito.com/blog/white-nationalists-and-the-solutrean-hypothesis

Halmhofer, S. (2018) Sprinkling Some Grains of Salt on Ice Bridge. Bones, Stones, and Books. Retrieved from https://bonesstonesandbooks.com/2018/01/15/sprinkling-some-grains-of-salt-on-ice-bridge/

Saini, A. (2019) Superior: The Return of Race Science. Boston, MA: Beacon Press.

Tuck, E. and Yang, K.W. (2012) Decolonization is Not a Metaphor. Decolonization: Indigenity, Education, and Society 1(1).


If you’re financially stable enough, why not donate to help out marginalised archaeologists in need via the Black Trowel Collective Microgrants? You can subscribe to their Patreon to become a monthly donor, or do a one-time donation via PayPal.

My work and independent research is supported almost entirely by the generosity of readers – if you’re interested in contributing a tiny bit, you can find my PayPal here, as well as my Amazon Wishlist for research material.

Anarchy in the UK…Archaeological Sector? A Brief Introduction into an Alternative Approach to Archaeology

Today’s blog post comes from a paper I presented at the 2018 Theoretical Archaeology Group Conference – you can find the full text here.

If you think about the word “anarchist”, you probably have a very specific image that comes to mind – some sort of “punk” masked up and dressed all in black, probably breaking windows or setting fires. And while that may be accurate praxis for some who wave the black flag (and also completely valid!), I’d argue that is doesn’t necessarily do the actual concept of “anarchism” justice…although, to be honest, I do love to wear black clothes

So then…what is anarchism? And how can it relate to archaeology?

tag2018(3)
A slide from my original TAG 2018 presentation on Anarchism and Archaeology showing various images of what most people consider to be “anarchist”.

To use Alex Comfort’s definition (1996), anarchism is “the political philosophy which advocates the maximum individual responsibility and reduction of concentrated power” – anarchy rejects centralised power and hierarchies, and instead opts for returning agency to the people without needing an authority, such as a government body. Anarchy places the emphasis on communal efforts, such as group consensus (Barclay 1996).

So, how does this work with archaeology? Why would you mix anarchy and archaeology together? For starters – this isn’t a new concept! There have been many instances of “anarchist archaeology” discussions, from special journal issues (Bork and Sanger 2017) to dedicated conference sessions (see the Society for American Archaeology 2015 conference). There have also been a few instances of anarchist praxis put into archaeological practice: for example, there is the Ludlow Collective (2001) that worked as a non-hierarchical excavation team, as well as the formation of a specifically anarchist collective known as the Black Trowel Collective (2016).

To me, an Anarchist Archaeology is all about removing the power structures (and whatever helps to create and maintain these structures) from archaeology as a discipline, both in theory and practice. We often find that the voices and perspectives of white/western, cis-heteronormative male archaeologists are overrepresented. Adapting an anarchist praxis allows us to push back against the active marginalisation and disenfranchisement of others within our discipline. This opens up the discipline to others, whose perspectives were often considered “non-archaeology” and therefore non-acceptable for consideration by the “experts” (i.e. – archaeologists) In Gazin-Schwartz and Holtorf’s edited volume on archaeology and folklore, this sentiment is echoed by a few authors, including Collis (1999, pp. 126-132) and Symonds (1999, pp. 103-125).

And hey, maybe logistically we’ll never truly reach this level of “equitable archaeology” – after all, this is a long, hard work that requires tearing down some of the so-called “fundamental structures” of the discipline that have always prioritised the privileged voice over the marginalised. But adapting an anarchist praxis isn’t about achieving a state of so-called “perfection”; rather, it’s a process of constantly critiquing our theories and assumptions, always looking for ways to make our field more inclusive and to make ourselves less reliant on the problematic frameworks that were once seen as fundamental.

It’s a destructive process for progress…but hey, isn’t that just the very nature of archaeology itself?

screenshot_2019-01-08 (pdf) black flags and black trowels embracing anarchy in interpretation and practice
Enjoy this poorly Photoshopped emblem of Anarchist Archaeology!

References

Barclay, H. (1996) People Without Government: An Anthropology of Anarchy. Kahn and Averill Publishers.

Black Trowel Collective (2016) Foundations of an Anarchist Archaeology: a Community Manifesto. Savage Minds. Retrieved from https://savageminds.org/2016/10/31/foundations-of-an-anarchist-archaeology-a-community-manifesto/.

Bork, L. and Sanger, M.C. (2017) Anarchy and Archaeology. The SAA Archaeological Record. 17(1).

Collis, J. (1999) Of ‘The Green Man’ and ‘Little Green Men’. In Gazin-Schawrtz, A. and Holtorf, C.J. (editors) Archaeology and Folklore. Routledge. pp. 126-132.

Comfort, A. (1996) Preface. In Barclay, H. People Without Government: An Anthropology of Anarchy. Kahn and Averill Publishers.

Ludlow Collective (2001) Archaeology of the Colorado Coal Field War, 1913-1914. Archaeologies of the Contemporary Past. Routledge. pp. 94-107.

Symonds, J. (1999) Songs Remembered in Exile? Integrating Unsung Archives of Highland Life. In Gazin-Schawrtz, A. and Holtorf, C.J. (editors) Archaeology and Folklore. Routledge. pp. 103-125.

 


If you’re financially stable enough, why not donate to help out marginalised archaeologists in need via the Black Trowel Collective Microgrants? You can subscribe to their Patreon to become a monthly donor, or do a one-time donation via PayPal.

My work and independent research is supported almost entirely by the generosity of readers – if you’re interested in contributing a tiny bit, you can find my PayPal here, as well as my Amazon Wishlist for research material.