Curse-Breakers and Thieves: Looted Artefacts, the Antiquities Market, and…Harry Potter, too?

“Are you seeking a challenging career involving travel, adventure, and substantial, danger-related treasure bonuses? Then consider a position with Gringotts Wizarding Bank, who are currently recruiting Curse-Breakers for thrilling opportunities abroad.”

Harry Potter and the Order of the Phoenix, p. 606

In the Harry Potter franchise, Bill Weasley is a Curse-Breaker for Gringotts Wizarding Bank. He is based in Egypt, where his job consists of breaking curses placed upon ancient tombs and treasures, ultimately sending anything he successfully retrieves to Gringotts.

So…um…does this mean that part of the Wizarding World’s economy is based on looting?

Screenshot_2019-08-15 gringotts treasures - Google Search
Harry, Ron, and Hermione break into a Gringotts vault in Harry Potter and the Deathly Hallows

Unfortunately, we don’t learn much about the job itself beyond the fact that it’s an Indiana Jones-type treasure hunting profession that uses magic to circumvent any nasty curses or magical traps. We don’t even know what Gringotts does with the treasures obtained by Curse-Breakers, leading to many to believe that they are somehow incorporated into the bank’s circulation of gold into the economy, or that Gringotts simply enjoys collecting and guarding treasures of any kind.

There’s a theory that perhaps Curse-Breakers retrieve goblin-made treasures from ancient tombs and vaults – as explained by Bill Weasley in Harry Potter and the Deathly Hallows (2007), goblins view the creators of an object as the true owner of said object, not the purchaser, and that many goblins would prefer that goblin-made artefacts be returned to goblins once the wizard owner has died (p.517). So, with that perspective, Curse-Breakers aren’t looting, but repatriating items back to goblins. However, this is just speculation – goblins in the Harry Potter universe keep their secrets closely guarded, given the tense relations between goblin and human communities; in the same passage referenced above, for instance, Ron angrily mentions that goblins refuse to teach humans how they create their objects in response to Griphook’s anger at human wizards hoarding wand ownership and magic from goblins.

56b2312cdd0895396d8b4894-750-375
Harry enters his Gringotts vault for the first time in Harry Potter and the Philosopher’s Stone…that’s a LOT of gold!

It wouldn’t surprise me if looted objects was secretly a huge component of the Wizarding World’s economy, though…after all, in the real world, the illegal antiquities market is huge. Recently, Hobby Lobby was revealed to have spent over $200 million for looted artefacts from Iraq to display in the company’s president’s Museum of the Bible (Arraf 2018). Even online marketplaces like Amazon and eBay have found themselves advertising the sale of stolen artefacts (Medrano 2017). These items sell for enormous amounts of money, given the cultural and social prestige surrounding “authentic” ancient artefacts.

There’s some good news, however. Archaeologists are becoming more militant against not only the illicit antiquities market, but the selling of any and all antiquities on the open market. Why? Well, it’s become what some Blythe A. Bowman refers to as a “grey” market – even the “reputable” markets can find themselves selling looted artefacts that (Bowman 2008, Stevenson 2017). A very timely example can be seen with auction house Christie’s, which is currently being sued by Egypt after they had sold a bust of King Tutankhamen for $5 million – Egyptian officials believe that the bust was actually looted during the 1970’s and has had its origins falsified to pretend its a legal purchase (Cascone 2019).

Personally, I can’t put any trust in the idea of selling artefacts, regardless of the market being “reputable” or not. If we’re going to be serious about repatriation in archaeology, I’d argue that we can no longer continue the high profile sale of artefacts. It diminishes the cultural and heritage value of artefacts to a monetary one, which often inflates to the point that only Western countries made rich through imperialism and colonialism (amongst other acts of violence) can afford these items for their collections and museums. This continues the cycle of museum-sanctioned looting of items from their cultural origins, where artefacts are not only physically, but also financially inaccessible to their places of origin. It’s a continuation of colonialism, plain and simple.

Anyway, can someone ask J.K. Rowling if the Wizarding World economy is based off of looting, because I’m really starting to worry about the perceived morality and ethics of being part of the magical community…

References

Arraf, J. (2018) Hobby Lobby’s Illegal Antiquities Shed Light on a Lost, Looted Ancient City in Iraq. NPR. Retrieved from https://www.npr.org/2018/06/28/623537440/hobby-lobbys-illegal-antiquities-shed-light-on-a-lost-looted-ancient-city-in-ira?t=1565874644457.

Bowman, B.A. (2008) Transnational Crimes Against Culture: Looting at Archaeoloical Sites and the “Grey Market” in Antiquities. Journal of Contemporary Criminal Justice 24 (3). pp. 225-242.

Cascone, S. (2019) Egypt will Sue Christie’s over the $6 Million Sale of a King Tut Sculpture Officials Claim was Looted from a Temple. ArtNet News. Retrieved from https://news.artnet.com/art-world/egypt-christies-lawsuit-king-tut-sculpture-1595746.

Medrano, K. (2017) Are Amazon and eBay the New Black Market? Archaeologists Warn Against Ancient Artifacts Sold Online. Newsweek. Retrieved from https://www.newsweek.com/amazon-ebay-archaeology-black-market-looting-artifacts-704385.

Rowling, J.K. (2003) Harry Potter and the Order of the Phoenix. London: Bloomsbury Publishing.

Rowling, J.K. (2007) Harry Potter and the Deathly Hallows. London: Bloomsbury Publishing.

Stevenson, A. (2017) Why Archaeological Antiquities Should Not Be Sold on the Open Market, Full Stop. The Conversation. Retrieved from http://theconversation.com/why-archaeological-antiquities-should-not-be-sold-on-the-open-market-full-stop-54928.

Advertisements