The Witcher is a Bioarchaeologist – Okay, Let Me Explain…

Okay, I mean…technically the Witcher is more of a zoologist with a bit of forensics training, but let me shoe-horn in my expertise please!

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Geralt, the Witcher, examining a griffin corpse in the Witcher 3: The Wild Hunt (2015).

After years of being yelled at to play the Witcher 3: the Wild Hunt (2015), I am finally playing the Witcher 3: the Wild Hunt (round of applause please). And I’m enjoying it a lot, as it fills the fantasy void within my heart that the Dragon Age series has left. But the gameplay mechanic that interests me the most is, unsurprising, the investigation sequences during the Witcher contracts.

Geralt, the main character, is a Witcher (have I written that word enough yet?). This means he’s been trained and physically & genetically enhanced in order to combat monsters and other deadly creatures.

So, what do I mean that Geralt is basically a trained bioarchaeologist? Well, one of the many types of quests you can get during the game are called “contracts”, which are basically paid jobs, usually involving the defeat of some creature that’s terrifying the local populace. But it’s not just about riding off and fighting a griffin or an ogre…there’s a bit of investigation involved as well.

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Geralt investigates the corpses of a human and a cow during a quest in the Witcher 3: The Wild Hunt (2015).

During these quests, Geralt is usually directed to a site where some horrible thing has happened – a peasant has been horribly murdered, or a person has gone missing and only left behind a blood trail, or maybe it’s just the whispers of local folklore that’s brought him there. Whatever it is, Geralt will begin to investigate and look for clues; these will come in the form of animal tracks, bloodstains, or even the deceased themselves.

Again, most of these interactions are probably more forensic in nature, but there’s still lots of similarities with bioarchaeology. For example, Geralt has an incredible amount of knowledge of common taphonomic processes (which I’ve actually written about here, except in a different video game). Taphonomy refers to the processes through which a living being undertaken as they move from living to being part of the archaeological record as a post-mortem deposit (Lyman 1994).

When Geralt looks at remains, he can deduce the actions that occurred to cause that particular deposit – did they die here, or were they placed here after death? Has any animals moved or otherwise affected the body in any way? What about the environment – has weather affected these remains in any way? Is there something significant about the way this body was or was not buried?

And these are important questions to ask about archaeological deposits as well! It isn’t assumed that we are looking at an intentional grave, as many factors could have led to this particular deposition – were they buried here intentionally, as a “final resting place? Were they first placed somewhere else and then moved here? Was the body modified in anyway prior to this eventual deposition? This can include not just other humans, but other animals and environments factors.

But more specifically, Geralt is a walking bestiary – he knows not only how to recognise and identify faunal remains, but also understands their living behaviours as well. When Geralt comes across the remains of a slain griffin, he immediately makes the connection that the one he has been hired to kill was the deceased’s partner – but how? Well, he understands the mating behaviours of griffins!

And, as a zooarchaeologist myself, I really enjoy seeing how extensive Geralt’s zoological knowledge is and how he incorporates it in his interpretations alongside his observations and evaluations of the surrounding environment. Why? Well, to quote Diane Gifford-Gonzalez (1991), “bones are not enough”!

Being able to identify animal bones is a vital skill, but it’s not just the end of zooarchaeology. Knowledge of behavioural studies, of regional geology, climate and environmental studies…these can all be utilised and factored into an interpretation, allowing for an interdisciplinary and more dimensional narrative for the assemblage at hand.

Now, if only I can hire a Witcher to take a look at my current faunal assemblage…

References

CD Projekt (2015) The Witcher 3: The Wild Hunt.

Gifford-Gonzalez, D. (1991) Bones are Not Enough: Analogues, Knowledge, and Interpretive Strategies in Zooarchaeology. Anthropological Archaeology 10. pp. 215-254.

Lyman, R.L. (1994) Vertebrate Taphonomy. Cambridge: Cambridge University Press.

OM NOM NOM or Did I Really Use an Old, Bad Joke to Introduce a Post on Gnawing?

Hi, welcome back to the early to mid 2000’s where we still use jokes like “om nom nom” unironically!

Just kidding, I won’t subject you to bad jokes like that for this entire post. Anyway, it’s come to my attention that for a blog called “Animal Archaeology”, I don’t really write that much about the archaeology of animals, huh? Well, today will change that! Here is a brief introduction to how we identify gnaw marks on certain bones – because humans aren’t the only species to eat other animals, don’t ya know?

Rodents

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Rat skull and mandible

Rodent gnawing is probably the easiest one to recognise. Due to those huge incisors of theirs, rodents leave behind a very distinct pattern of close striations on the bone. Be warned, however! It can be easy to mix this up with cut marks, or vice versa.

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Rodent gnaw marks on a Bison bone (Photo Credit: Alton Dooley)

Felines

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Domestic Cat skull and mandible

Cats do indeed gnaw on bones! And they have a pretty peculiar way of doing so – when they hold onto a bone, they’ll use their canine teeth, which will often leave a puncture mark! Given their smaller size, these marks will often be a bit small and usually won’t go entirely through the bone (although if you’re dealing with a bigger feline, like a lion, you may find yourself with bigger and deeper puncture marks!). Cats will also do a bit of a “nibble”, leaving behind a very pitted and rough looking texture.

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Examples of feline gnawing (with tooth punctures) from experiments (Image Credit: Jennifer A. Parkson, Thomas Plummer, and Adam Hartstone-Rose)

Canines

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Wolf skull and mandible

This is possibly something you can check right now if you have dogs as pets – take another look the next time they chew up a bone. Canine species like dogs and wolves will produce gnaw marks similar to felines in that they will often cause a puncture hole in the bone with their teeth. However, canine species will usually produce much larger holes in comparison. Another key characteristic is that canine species will slobber – when they gnaw on bones, they often produce what can only be described as “an upsetting amount of saliva” – however, this is great for zooarchaeologists, as it can leave behind a very polished look to the bone, which is very distinct. So, next time see you a beautifully polished archaeological bone…it was probably covered in ancient dog spit.

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Some examples of canine gnawing on discarded worked bones (Image Credit: Reuven Yeshurun, Daniel Kaufman, and Mina Weinstein-Evron)

Humans

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Replica human skull and mandible (Photo Credit: Bone Clones)

Yes, occasionally we do find human gnaw marks, although now we’re a little bit out of my jurisdiction! So, our teeth look weird – well, at least compared to non-human teeth. So the kind of gnaw marks we leave are a bit…wonkier? Is that the right word? Just bite into an apple and see what you leave behind, it’ll depend on how your incisors look, as we often lead with them to bite down onto something. Personally, I have pretty large buckteeth, so I’d hate to be the zooarchaeologist looking at my left behind teeth marks trying to figure out what the heck happened!

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Human gnaw marks left behind on various sheep bones (Image Credit: Antonio J. Romero)

References

Hays, B. (2016) Volunteers Chew Bones to Help Identify Marks of Earliest Human Chefs. United Press International. Retrieved from https://www.upi.com/Science_News/2016/08/02/Volunteers-chew-bones-to-help-identify-marks-of-earliest-human-chefs/2831470153494/

Parkinson, J.A., Plummer, T., and Hartstone-Rose, A. (2015) Characterizing Felid Tooth Marking and Gross Bone Damage Patterns Using GIS Image Analysis: An Experimental Feeding Study with Large Felids. Journal of Human Evolution. 80. pp. 114-134.

Yeshurun, R., Kaufman, D., and Weinstein-Evron, M. (2016) Contextual Taphonomy of Worked Bones in the Natufian Sequence of the el-Wad Terrace (Israel). Quarternary International. 403. pp. 3-15.

Bones that Look like Other Bones: A Mini Post about Foxes and Badgers

It’s been a while since I’ve made a Comparative Anatomy post! But after running into an issue with a possible fox/badger bone fragment, I figured it might be time to make a new one. And if you have any particular comparative anatomy posts that you’d like me to make in the future, please feel free to contact me about it!

Badgers and foxes – two animals that I have literally never seen in the wild until I moved to England. Honestly, I don’t even think I ever really though about either of them until I moved here. And yet, both are relatively common around Britain, which has caused me to become quickly familiar with their bones on the off-chance that they get mixed into an assemblage I’m currently working on (one of the many problems you face as a zooarchaeologist who works in a regional area that is so different from the one you grew up in!). There’s way more detailed comparative guides out there (see “References” below), but here’s a quick little post showing off some of their anatomical similarities and differences:

Skulls

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On the top is the skull of a badger. On the bottom is the skull of a fox.

At first glance, fox and badger skulls may look very much alike! However, there are some significant differences that will make telling the two apart a lot easier than you’d think. Possibly the biggest difference is in the general characteristics of each skull – badger skulls tend to be a bit “chunkier” and more robust, yet also shorter with a less elongated “snout” area, so to speak. Foxes, on the other hand, are more flat, with more elongated, perhaps even graceful arches and curves and are a bit thinner in comparison.

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On the right is the back of a fox skull, and on the left is the back of a badger skull. Note the difference in sagittal crests!

Another key difference can be seen if we look near the back of the skull where theses long ridges (called sagittal crests) can be found. Both foxes and badgers have relatively prominent sagittal crests, but badgers’ crests are a bit bigger for the most part.

Teeth

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The lower right mandible and teeth of a badger.

Badger and fox teeth look relatively similar as well. They have a sort of curvy, “wave”-shape that you can also see in dogs (see my Teeth post for more information). However, there are slight differences. Badger teeth, as you can see above, are arguably flatter, especially in the back molars.

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The lower mandible (and teeth) of a fox.

Fox teeth, on the other hand, are much more sharper and tend to be in greater number than badgers.

Long Bones

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From left to right: badger humerus, badger femur, fox femur, and fox humerus.

There are better and more detailed guides out there that get into all of the long bones of both badgers and foxes (see “References” again), but for the sake of brevity we’ll just be looking at two: the humerus and the femur. Again, you could argue that a general rule of thumb is that fox bones, unlike badger bones, are a bit thinner and longer. Badger bones are more robust, but shorter.

The humerus in a badger is very characteristic of this, as it is very short, yet robust. The hole at the bottom of the humerus is very oval shaped. In foxes, on the other hand, the humerus is much more elongated and thin. They also have a hole at the bottom of the bone, but this one is arguably more circular than ovular.

As for the femur, possibly the best indicator for what species you’re working with can be found at the “neck” at the top that leads to the little round bump known as the “femoral head”. Foxes don’t really have much of a “neck”, so the femoral head basically sits on top after a bit of a dip. As for badgers, their “neck” is much longer and more visible – the top of the bone clearly thins out into this “neck” as it leads to the femoral head.

Phalanges

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On the right are two fox phalanges, and on the left are two badger phalanges.

Honestly, if you’re tasked with differentiating between the phalanges of a fox and badger…yeah, uh…good luck! Again, you could roughly estimate based on general size, as foxes generally tend to be larger – but at the phalanges level? Hmm…

You know what, let’s just put down “small to mid-sized terrestrial mammal” and call it a day, yeah?

References

Johnson, E. (2015) A Skeletal Comparison of Domestic Dog (canis familiaris), Red Fox (vulpes vulpes), Badger (meles meles), and Domestic Cat (felis catus). Retrieved from https://ifeelitinmybones.files.wordpress.com/2015/09/a-skeletal-comparison-of-dog-fox-badger-and-cat.pdf.

McGowen-Lowe, J. (2015) The Difference Betweeen Fox and Badger Skulls. Retrieved from http://www.jakes-bones.com/2015/12/the-difference-between-fox-and-badger.html

The Bog Unicorn: The Power of Preservation in Dragon Age (and in Real Life!)

Content Warning: Some images of preserved human remains are below.

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The Inquisitor atop the Bog Unicorn, a DLC mount available in Dragon Age: Inquisition.

In the 2014 video game Dragon Age: Inquisition, you play as the Inquisitor who heads the latest Inquisition against an army of demons and heretics. As the leader of such a massive organisation, your character is able to get supplies and aid from all corners of the world of Thedas, including some incredibly fantastic and exotic mounts. One of these mounts is known as the “Bog Unicorn” – a horse that had been preserved in a bog environment that has been brought back to life by the sheer power of the spirit. Although the game does not go into much more detail regarding the backstory of the Bog Unicorn, the design of the mount somehow manages to hit a lot of really interesting points about the phenomenon of “bog bodies” in real world archaeology. So let’s break it down…

To start, what is a “bog body”? In short, it is a body that has been preserved within a bog due to the acidic and anaerobic conditions of the surrounding environment. Bog bodies have been recovered since the 17th century. Prior to focusing on the conservation of archaeological finds, most bog bodies were either discarded or, in some cases, ground up into a medicinal powder called “mumia” (Aldhouse-Green 2015).

There has been an observed phenomenon of recovered bog bodies across parts of continental Europe, with additional cases found in Ireland and Britain. Most of these bodies have been dated to around the Iron Age, and many have been observed to have characteristics that may reflect a violent death (sometimes referred to as “overkill”). This has led to one interpretation of bog bodies representing those who were killed as part of a ritualistic sacrifice or as a punishment (Giles 2009).

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The Grauballe Man, an Iron Age body recovered from a bog in Denmark (Photo Credit: Sven Rosborn)

The design of the Bog Unicorn manages to convey a lot of detail about bog bodies without actual textual explanation. For example, let’s take a look at the physical appearance of the mount. The Bog Unicorn is not skeletal, but has what appears to be a dark, leathery hide covering its body. Its hair is also a strange, rust red colour.

As you can see from the photo above of an actual bog body, this is the typical appearance of organic material that has been preserved within a bog. Sphagnum, released once bog moss dies, is the agent that causes the “tanning” effect on any soft tissue – this is what causes the colouration in both skin and hair found on bog bodies (Aldhouse-Green 2015).

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A 14th century sword found in a peat bog in Poland (Photo Credit: Muzeum im. ks. Stanisława Staszica w Hrubieszowie)

Another noteworthy detail in the Bog Unicorn’s design is the sword thrust through the horse’s head, creating the “unicorn” effect – this is perhaps a nod to another phenomenon in the archaeology of bogs and other watery environments. Water has often been considered a liminal space (in other words, a sort of boundary or in-between place), as well as a source of life. It is possible that the deposition of remains in watery environments reflects a belief in water as a pathway to the spirit world, or perhaps more indicative of cyclic beliefs in regeneration and fertility (Bradley 2017). Weapons and other artefacts have also been noted to be recovered as deposits from water – possibly used as proxies for the human body in a ritual? It should also be noted that many weapons that are deposited in this way are often fragmented or ritualistically broken, perhaps to mark a sort of “death” of the object (Bruck 2006).

To wrap this discussion up, let’s move on from the physical appearance to talk more about intent. The Bog Unicorn, in the lore of the game, is explained to be a restless force that has moved beyond death to serve again. In other words, the Bog Unicorn is between life and death, floating somewhere in the middle as a sort of undead creature. To represent such a force as a preserved corpse from a bog is actually quite fitting, especially when one considers how a bog body is basically suspended between life and death (or at least, decay). As mentioned above, watery environments appear to have been identified as a liminal space – bogs even more so, as they were sort of in between land and water. If we take into consideration that bog bodies were part of a “punishment” involving their ritualistic killing, it might be that this liminal space proved to be the final, posthumous punishment – unable to decay and “pass on”, these bodies were left preserved, floating in some natural purgatory. But even if that’s all conjecture, there is still something so perfect about having a Bog Unicorn, who is between life and death, this world and the next, be your spectral-yet-physical steed for a battle that takes place between our world and the spirit world.

References

Aldhouse-Green, M. (2015) Bog Bodies Uncovered: Solving Europe’s Ancient Mystery. Thames & Hudson.

Anonymous (2015) The “Bog Unicorn”. Dragon Age Wiki. http://dragonage.wikia.com/wiki/The_%22Bog_Unicorn%22

Bioware (2014) Dragon Age: Inquisition.

Bradley, R. (2017) An Geography of Offerings: Deposits of Valuables in the Landscapes of  Ancient Europe. Oxbow Books.

Bruck, J. (2006) Fragmentation, Personhood, and the Social Construction of Technology in Middle and Late Bronze Age Britain. Cambridge Archaeological Journal 16(3), 297-315.

Giles, M. (2009) Iron Age Bog Bodies of North-Western Europe. Representing the Dead. Archaeological Dialogues 16(1), 75-101.

Bones That Look Like Other Bones: A MiniPost About Rabbits and Hares

Note: Is it morbid to look at rabbit and hare skeletons on Easter? Maybe. But more importantly, please remember that caring for rabbits as pets is a commitment – don’t buy them as an Easter Day gift for kids if you’re not committed to caring for them! More information can be found here.

So, moment of truth: how long did it take you to realise that rabbits and hares are two different animals? I’m pretty sure I was hitting double digits in age before that dawned on me…embarrassing? Maybe. But it’s an easy mistake to make: rabbits and hares look extremely alike! And that’s not just limited to their outsides either…today’s mini comparative anatomy post is about the bones of hares and rabbits!

Good rule of thumb with differentiating between hare and rabbit bones is to look at the size of the bones – hares are generally larger than rabbits. This is definitely noticeable just looking at the skulls of a hare (on the left, above) and a rabbit (on the right, above).

Hares also have larger, stronger hind legs, which can also be easily seen when you compare these bones to rabbit bones – in the above photo, are two femora, with the larger and more robust femur belonging to the hare.

Despite being from different species, however, both rabbits and hares do share similar physical traits in their skeletons, with explains why some archaeologists may have some confusion when it comes to differentiating between the two (for example, compare the two tibia bones above – besides the difference in size, they’re rather similar!).

If you’re interested in more archaeological work on hares, check on the Exploring the Easter E.g. project undertaken by the AHRC and the University of Nottingham!

References

Elena, S. (2008) Rabbits and Hares: No More Confusion! http://www.orcca.on.ca/~elena/useful/bunnies.html

Langley, L. (2014) What’s the Difference Between Rabbits and Hares? National Geographic. https://relay.nationalgeographic.com/proxy/distribution/public/amp/news/2014/12/141219-rabbits-hares-animals-science-mating-courtship

On the Chopping Block: Decapitation in Archaeology

On the Chopping Block: Decapitation in Archaeology

Content Warning: Photo of human remains included in this post.

In Skyrim (Bioware 2011), capital punishment usually consists of a swift beheading – this is seen in the game’s opening, where you watch as a Stormcloak, deemed to be traitorous to the Empire, is beheaded by the Imperial army’s executioner. You luckily manage to escape the blade thanks to a dragon, but a similar execution is stumbled upon again in the town of Solitude.

In real life, decapitation has been a form of capital punishment for ages, with archaeological evidence of intentional beheading dating back to the later prehistoric – although it can be argued that some instances could have been part of ritual sacrifice as well (Armit 2012). Decapitations in antiquity (read: ancient Greece and the Roman Empire) were often used for citizens, especially of higher status, as it was seen as a more humane and less dishonourable punishment. This would possibly be accurate if the executioner was skilled and could deliver a quick and clean decapitation in a single blow of the sword or axe. This would change, of course, with the popularisation of the guillotine for beheading (Clark 1995).

The British history of decapitation as capital punishment goes back centuries and is too long to properly discuss in a blog post. Anglo-Saxons originally used decapitation to punish more serious offences of theft, but eventually this practice was reserved for those of noble and high status who have committed acts of treason (Dyson 2014). Arguably the most famous cases of beheading in Britain belongs to Catherine Howard and Anne Boleyn, two of King Henry VIII’s many wives. These executions were part of the seven that were done privately in the Tower of London (Clark 1995).

Decapitation is still used as capital punishment in some places to this day, but has mostly been abandoned as a practice in most parts of the world, although only relatively recently – for example, it was still used for capital punishment up until 1938 in Germany (Clark 1995).

Medieval Illumination depicting the execution of the leaders of the Jacquerie by the King of Navarre (Image Credit: the British Library)

So, how do we discover decapitations archaeologically? Isn’t it common to find skeletons disarticulated (or not together) once excavated? How do you differentiate between skulls from the beheaded and skulls from the dead?

Evidence of decapitation can sometimes be seen spatially, through the methods and locations of burial. In some places, such as Roman burial sites, there were no observed difference between decapitation burials and more normative burials. In the later Anglo-Saxon period, however, decapitation burials were moved to “execution cemeteries” to reflect a cultural understanding of decapitation as a “deviant burial” that should be kept separate from other burials (Dyson 2014).

The best place to look for evidence for decapitation is on the vertebrae – a beheading that has been done correctly will usually leave cut marks on the cervical vertebrae, which make up the neck. More unfortunate decapitations that required several more blows for a successful separation will also show related cut marks on facial features, such as on the mandible (Carty 2012).

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Evidence of decapitation on vertebrae (Photo Credit: Museum of London Archaeology)

References

Armit, I. (2012) Headhunting and the Body in Iron Age Europe. Cambridge University Press.

Carty, N. (2012) ‘The Halved Heads’: Osteological Evidence for Decapitation in Medieval Ireland. Papers from the Institute of Archaeology.

Clark, R. (1995) The History of Beheading and Decapitation. Capital Punishment UK.

Dyson, G. (2014) Kings, Peasants, and the Restless Dead: Decapitation in Anglo-Saxon Saints’ Lives. Retrospectives. University of Warwick. (p. 32-43)

Doctor, Doctor, Gimme the News: Bone Assessments in Zooarchaeology

Doctor, Doctor, Gimme the News: Bone Assessments in Zooarchaeology

Today I wanted to give you all a sneak peek into my current work – although I will admit that this is a bit more of a mundane part of my research. But zooarchaeology isn’t always exciting…sometimes it’s playing Bone Doctor and assessing bags and bags and bags and bags of bones!

Bags and bags and bags o' bones

Last week, I’ve spread over one hundred bags of bones across three desks. Why? Well, on one hand I like showing off my assemblages and work to my fellow PhDs in the office. But I also find it the easiest way to place everything in order of context.

Again, you may ask…why?

Bone assessments are quick (well, relatively speaking, I guess!) ways to, well…assess your bones! Prior to an in-dept investigation, a bone assessment allows me to get a general idea of what kind of animals may be represented in an assemblage, how the bones look, how they’ve been preserved, and how they’ve been treated. Of course, I’ll be doing a more focused identification and examination of each individual bone later on, but these bone assessments are a great way to get an idea of what I’m looking at.

Bone assessment form

Walking around my bags and bags of bones with a clipboard and bone assessment forms in hand kinda makes me feel like a doctor, really! Well, I guess in this case I’d be a veterinarian…and a really bad vet if I’m working with dead animals.

Basically, with these forms I sorta sketch out a picture of the assemblage – what sort of animals can I identify by eye? How many? What parts of the body do they represent? Listing things like colour, preservation, and characteristics like gnaw marks or butchery also allows me to get an idea of what these remains may have possibly been the result of. Is there many instances of gnaw marks from a large predator? Maybe these remains mark the end of one of their prey! Is there many butchery marks and charred bone? Perhaps this is the remains of a feast!

Yes, the chicken scratch you see here is my handwriting…I guess that really makes me more of a doctor, huh? The photo above is me attempting to make sense of the bone assessments – this includes tallying up total numbers of animal and element identifications, giving a (very) rough chronological order of the context numbers, and listing out the major characteristics I saw in each period. This way, I can really visualise the shifts and patterns that the assemblage forms as time passes from one period to the next.

I know this wasn’t the most exciting post this blog has seen, but I want to show off all aspects of zooarchaeological work! And that includes some of the less exciting things…however, I think bone assessments are really interesting – they almost give you a sneak peek into whatever you’re about to dive into for the next year or so! And while I don’t want to get into too much detail…I think this is going to be a really exciting and interesting assemblage of animal bones.

From the Question Bag: Fish Remains in Scotland

From the Question Bag: Fish Remains in Scotland

James Green asked: I know in the US South amia calva is one of the most common fish remains found in sites. What is the most common there?

Well, as someone who seems to have been knee-deep in fish bones since 2014, I’m glad you’ve asked! Let me preface this by saying my area of expertise is North and North-east Scotland – so the Orkney Islands and the Covesea Caves. And this is based on my experience as well! So I might miss out on some more common fish finds. But here are the common fish remains that I seem to run into time and time again.

Atlantic Herring (Clupea harengus)

Atlantic herring

The bane of my zooarchaeologist life…the reason why I strained my eyes during my masters dissertation…the fish that made me hold my breath while I worked because a sigh could easily send the vertebrae flying…let me present to you: the Atlantic herring.

Not necessarily something I find in abundance at my sites, but I’ve found a couple (read: about one hundred bones) here and there. It’s also found on the other side of the Pond!

Pollack (Pollachius pollachius)

Pollack bones

Not necessarily the bulk of many of my fish bone assemblages, but I find that the pollack shows up time and time again – especially pollack vertebrae! Of course, the vertebrae of  a fish are some of the most durable parts of a fish’s skeleton – that’s why you will see them more commonly than other, more fragile bones.

Whiting (Merlangius merlangus)

Whiting bones

Similar to the Atlantic herring, the whiting has also caused me much distress due to the tiny size of its bones. Very common in some Iron Age contexts that I’ve worked in, the bones of a whiting are so small that I’ve had to use a scanning electron microscope to analyse them for butchery marks and signs of erosion! Not to mention the many hours I’ve had to move their bones around with tweezers…fish bones are surprisingly hard work.

Atlantic Cod (Gadus morhua)

Atlantic cod bones

Last, but not least – especially not least – is my good friend, the Atlantic cod. Surprisingly one of the most common fish bones I find at sites! So common, in fact, that it’s the easiest fish for me to identify by eye. But maybe that’s not so surprising – after all, cod is still one of the most popular fish for food! And I don’t blame people, I do really enjoy fish and chips.

Remember to send me any questions or topics you’d like to see me cover about zooarchaeology or archaeology by contacting me!

A Thanksgiving Blog Post Without Turkeys, ‘Cos I Don’t Have Any Turkey Bones

A Thanksgiving Blog Post Without Turkeys, ‘Cos I Don’t Have Any Turkey Bones

As an American, I feel a bit obligated to make a themed-post for Thanksgiving. But here’s the problem: I don’t have any turkey bones in my collection.

So, what’s a zooarchaeologist blogger to do? Well, the next best thing: here’s a minipost looking at the bones of domestic fowl and why it’s important to differentiate between domestic and wild birds in an archaeological assemblage.

Have a happy Thanksgiving, fellow Americans!

In zooarchaeology, domestic fowl usually refers to domesticated species of birds such as chickens, turkeys, and guineafowl. Of course, this can vary greatly depending on the regional and temporal contexts of an assemblage.

Differentiating between domesticated and wild birds are just as important as differentiating between domesticated and wild mammals. This gives us a better idea of what kind of food and other animal products accessible to the inhabitants of a site, as well as what may have been hunted (and in some cases, gives us an idea of the technology needed to hunt!). If it’s more of a funerary or ritual context, bird remains (especially ones that have evidence of human modification) may also help us better understand beliefs of the past!

Chicken

Probably the most pervasive domestic fowl across the world, the chicken is probably one of the most identifiable bird bones out there due to how different their bones look in comparison to most other birds. I always associate chicken with this rounded look, in contrast to the sort of sharp, edged look that other bird bones have.

There is a current interdisciplinary project going on looking at the social, cultural, and environmental impact of the chicken called the Chicken Project.

Bantam

“Bantam poultry” usually refers to chicken or ducks that have are different breeds from what we normally call chicken/ducks, resulting in some morphological differences. The bones above are from a game hen, which is the closest thing I have in my collection to bantam (I do have a bantam chicken as well, but it’s currently being decreased!).

Compare those bones to the chicken bones above – See the difference in rounded bone versus sharp bone?

Guinea fowl

Guinea fowl are native to parts of Africa, but have been introduced elsewhere as domesticated fowl. Apparently it’s a bit similar to turkey, but I’ve never eaten it myself (feel free to let me know what it’s like if you’ve eaten it!).

Differentiating between something like bantam poultry and guinea fowl would be a bit difficult, as you can see – there’s certainly some similarities in the size and shape of bones! However, I’d argue that guinea fowl bones have a been more thickness on them, but to be fair I’ve rarely had to work with them in my projects in Scotland.

Geese

Geese are not always considered domestic fowl, but depending on the region and context of the site, it’s a possibility. I figured I would throw it in here for fun, though!

The size and thickness of goose bones is a good indicator for identification, especially in comparison to most other bird bones. Especially if you have the skull – that bill is a dead giveaway! Although it’s easy to confuse with a duck.

Bones That Look Like Other Bones: A MiniPost About Rodents and Fish

Bones That Look Like Other Bones: A MiniPost About Rodents and Fish

Yet another minipost in my comparative anatomy series! But this one might be the strangest paring of all.

Rodents and fish – could there be any more different animals? And yet, I find that students just starting out in archaeology tend to confuse the two together. To be fair, it’s very understandable – the size of rodent bones can be comparable to the size of many fish bones. So let’s break it down and see how different they really are.

Rat and Fish Cranium

For starters, let’s look at the cranium of a rat (left) and an Atlantic cod (right). As you can see, most elements of the skeleton look completely different. The rat has the sort of skull you would expect to see with any animal, while the fish…well, fish are basically made of a head and a tail, so most fish bones you find will be part of the cranium. As I’ve mentioned before in my previous post on fish bone, they will also have a different sort of texture and look compared to mammal bone – in my opinion, its a very “fish-like” texture, a bit shiny and flaky. Always a good giveaway that you’re dealing with a fish!

Rat and Fish Vertebrae

So how is it possible to even confuse the two? Well, let’s look at something a bit trickier…here’s the vertebrae from a rat (left) and from a fish (right). Now, if you don’t know that there’s a difference in shape between rat and fish vertebrae, you might not be able to differentiate the two right away. And given how weird vertebrae can be in varying shapes between types of vertebrae in an individual body, who knows! Maybe they’re from the same animal?

Luckily, there is a visual difference between the two. Rat vertebrae look relatively similar to any other mammal vertebrae (“relatively” being the key word here, of course…but talking about the differences in mammal vertebrae is a post for a different day!). Fish, on the other hand, have very distinct-looking vertebrae and vertebral bodies. Unfortunately, distinguishing between the two can be more difficult if the vertebrae are more fragmented – I’ve seen many students get the two confused if most of the vertebral arches and “wings” are missing.

“But Alex!” I hear you say, “these bones look so different, I don’t believe that anyone could get them confused!” Okay then…let’s take two random, slightly fragmented bones from a herring and a mouse then, shall we?

Mouse scapula and herring fragment
Can you tell the difference?

As you can see, it can get tricky! Fragmentation, size, preservation of bone – these are variables that you encounter with archaeological bones that make things a bit more challenging than you’d think! The best way to get better, of course, is to practice, practice, practice. It gets easier…

…well, eventually.